I Wrote a Good Omelet Summary

Summary (Masterpieces of American Literature)

“I Wrote a Good Omelet” also shows Giovanni at her playful best. The speaker has had a spectacularly jolting encounter with love and has everything confused. She tells the reader, “I goed on red . . . and stopped on green . . . after loving you.” In short, things were never the same but were filled with ecstasy, passion, and delight.

Stylistically, “I Wrote a Good Omelet” is representative of the entire collection Those Who Ride the Night Winds. In this book, the poems are longer, more prosaic, and frequently punctuated with ellipses. Furthermore, they mark a continued growth in the poet, at once becoming more introspective and showing an even more pronounced spirit of the individual than previous poems.

I Wrote a Good Omelet Bibliography (Masterpieces of American Literature)

Beason, Tyrone. “Survival of the Baddest: Poet and Activist Nikki Giovanni Keeps Her ’60s Spirit Intact for a New Generation.” The Seattle Times, January 15, 2004, p. C1.

Davis, Arthur P. “The New Poetry of Black Hate.” In Modern Black Poets: A Collection of Critical Essays, edited by Donald B. Gibson. Englewood Cliffs, N.J.: Prentice-Hall, 1973.

Fowler, Virginia C. Nikki Giovanni. New York: Twayne, 1992.

Jago, Carol. Nikki Giovanni in the Classroom: “The Same Ol Danger but a Brand New Pleasure.” Urbana, Ill.: National Council of Teachers of English, 1999.

Josephson, Judith P. Nikki Giovanni: Poet of the People. Berkeley Heights, N.J.: Enslow, 2003.

“Nikki Giovanni.” In Her Words: Diverse Voices in Contemporary Appalachian Women’s Poetry, edited by Felicia Mitchel. Knoxville: University of Tennessee Press, 2002.

Washington, Elsie B. “Nikki Giovanni: Wisdom for All Ages.” Essence 24 (March, 1994): 67.