Summary (Magill's Survey of American Literature, Revised Edition)
Wonderland bears certain rough similarities to A Garden of Earthly Delights. It follows three generations of a family through stages of rage, searching, and emptiness. It offers critical comment on the lust for knowledge and power. It spans a particular period of American political and economic history. It moves irregularly, with sudden shifts and changes. It also draws on another work of art as a model. Wonderland, is, however, stylistically much less naturalistic, its commentary more satirical, and its concern for the issues of dislocation and identity more fully focused on a single central character, Jesse.
As the title suggests, Oates used Lewis Carroll’s Alice’s Adventures in Wonderland (1865) as a thematic source for her novel. Like Alice, Jesse bursts into new worlds and must deal with characters that verge on caricatures and that parallel the Mad Hatter, Cheshire Cat, and others. Oates has taken Carroll’s thematic framework and applied it sharply and imaginatively to the American scene.
The novel begins abruptly: Fourteen-year-old Jesse Harte returns home one day to find his family murdered by his crazed father. Jesse escapes through a window (like Alice’s “looking glass”) and is orphaned by his father’s suicide. Emotionally numbed, Jesse embarks on a passive search for replacements—for a father figure, for a home, for a viable belief system, for a name that is truly his. He lives...
(The entire section is 875 words.)
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Summary (Masterplots, Fourth Edition)
One December day, fourteen-year-old Jesse Harte comes home to find his family brutally murdered and his crazed, chronically unemployed, and spiritually desolate father coming after him with a shotgun. Jesse barely escapes through a window; his father’s subsequent suicide leaves him to make his way alone as a traumatized orphan. He first goes to live with his silent, bitter grandfather, where he takes the surname Vogel for a time. That proves to be unacceptable, so he moves on to his uncomprehending cousins, and then to an orphanage.
Eventually, he encounters and comes to live with the Pedersen family. The father, Karl, is a dogmatic morphine-addicted doctor/mystic; the mother, Mary, is an obsequious alcoholic; the son, Frederich, is a blithering piano virtuoso; and the daughter, Hilda, is an angry mathematical genius. The Pedersens are all grotesquely obese, and, with them, Jesse swells accordingly. He takes their surname and their ways and strives to become one of them. He never gives himself completely, however, to the doctor’s maniacal and philosophical egoism. In the end, after helping Mrs. Pedersen in an aborted attempt to escape, Jesse is disowned, dislocated, and, again, left homeless and nameless.
He once again becomes Jesse Vogel. He attends college at the University of Michigan, studying medicine. An excellent student, he comes under the tutelage and influence of Dr. Benjamin Cady, Dr. Roderick Perrault, and an errant...
(The entire section is 539 words.)