Hospitality comes naturally to many of the characters in The Wind in the Willows. The text is filled with occurrences of one animal offering food and/or shelter to another. At times it is merely a casual exchange among friends, like Rat’s long standing engagement of going to the Otters’ for dinner, or Rat paying a call on Toad and introducing his friend Mole. At other times, there is a specific need, as when Badger brings Rat and Mole out of the cold of a snowstorm, followed by a pair of lost hedgehogs the next morning. The novel’s most impressive example of hospitality is that of Rat taking Mole into his home, which ends up lasting at least a year, having only met Mole that day. There is neither discussion of payment nor any sort of anticipation that Mole will return the favor. It is simply accepted. Shortly after Mole is invited to stay at Rat’s, the text reads, “When they got home, the Rat made a bright fire in the parlor. . . .” It does not say “when they got to Rat’s home” because it is now home to them both.
Forgiveness comes quickly and easily in The Wind in the Willows, regardless of the size the offense. When Mole apologizes to Rat for taking the sculls away from him in the boat, which leads to Mole and the luncheon basket going overboard, Rat immediately responds with “That’s all right, bless you!” He then goes on to invite Mole to stay with him awhile so that he can learn to row and swim.
Toad is forgiven several times throughout the book for much more serious misconduct. Even four Weasels, taken prisoner during the recapture of Toad Hall, are treated kindly when they demonstrate contrition: “They were very penitent, and said they were extremely sorry. . . . So I [Mole] gave them a roll apiece, and let them out at the back, and off they ran.” Toad is also able to let bygones be bygones when one of the Weasels returns to Toad Hall looking to be of service. It is only with the slightest condescension that he pats the Weasel on the head and gives him an errand to run.
While there are not obvious examples of humility throughout the text, it is a major theme because it is a virtue that one of the principle characters, Toad, clearly does not possess but clearly needs to learn. His friends are very patient with him as he, time and time again, embarrasses them by making a fool of himself. As Rat says, “Do you suppose it is any pleasure for me . . . to hear animals saying . . . that I’m the chap that keeps company with jailbirds?”
In the end, after a series of trying circumstances that Toad manages to fare only through the kindness of strangers and the loyalty of his friends, he is...
(The entire section is 1135 words.)