Oates's novel about urban life and murder, them, had won the 1970 National Book Award, so it was no surprise that her next collection of short stories, The Wheel of Love, which appeared later that year, received much attention. The book was widely reviewed, and "Where Are You Going, Where Have You Been?" was often identified as one of its greatest successes. Some critics were disturbed by the violence that marked the entire collection--a common criticism leveled against many of Oates's works—and by the extreme situations and emotions experienced by a central character in nearly every story. "Joyce Carol Oates," Robert Emmet Long wrote in Saturday Review, "is not really interested in people, only in mental states." Others recognized that disturbing readers was precisely Oates's aim. A reviewer for the Virginia Quarterly Review wrote that Oates had accomplished a goal "to record and communicate what do seem to be dominant tenors of life today," though shocking they might be.
Though such reviews point to the common threads of subject, theme, and characterization that relate "Where Are You Going, Where Have You Been?" to other stories in the collection, it is the story's convergence of these qualities that led some critics to single it out for special note. Richard Gilman, writing in the New York Times Book Review praised the story as one that ''create[s] a verbal excitement, a sense of language used not for the expression of previously attained insights or perceptions but for new imaginative reality." Echoing this sentiment, Walter Sullivan commended the story for its "imagery of life's deceptions and perils" and its ability to evoke terror through realism. The story began appearing in anthologies and textbooks, and Oates herself reprinted the story in her 1974 collection, Where Are You Going, Where Have You Been?: Stories of Young America.
Since then, the story has been frequently scrutinized by scholars, who often attempt to trace its sources; identify its patterns of symbols, images, and...
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