Summary (Masterplots II: American Fiction Series, Revised Edition)
Momma Towne ruled the roost when she received it from her sister, who died in her fourth childbirth leaving an infant, Veronica, and three other little girls—Lucy, May, and Agnes. Perhaps Momma gathers the children closely to her because she feels guilty about taking a ready-made family from a dead sister. Perhaps she feels remorse from being angered by the killing hand of God after she waited seven years in Ireland for the chance to come to her sister in the United States. Perhaps the guilt is the result of her deliberate and successful attempt to tempt her sister’s husband into marriage not by attracting him physically but by seducing him with arguments, substituting mindplay for foreplay. When she finally has a child of her own, a son, she spoils him; while he is still a young man, she dismisses him from her house and from herself so thoroughly that he appears, hat in hand, only at weddings and wakes.
Lucy is the only one of the girls who marries and leaves home, but she is so closely tied to her stepmother and her stepmother’s house that she makes arduous and frequent visits home in the summer, bringing her three children. Twice a week, they make the journey from their house in Long Island, which is ten blocks from the nearest bus stop. The bus takes them past the cemetery, the churches, and out of suburbia, where they have to transfer to another bus in a crowded multiethnic neighborhood. Once there, they proceed to the subway station, where...
(The entire section is 770 words.)
Want to Read More?
Subscribe now to read the rest of At Weddings and Wakes Summary. Plus get complete access to 30,000+ study guides!