Article abstract: Washington Irving, America’s first international literary success, was responsible for making American letters respectable in the nineteenth century.
Washington Irving was born into the large family of William Irving and Sarah Sanders Irving on April 3, 1783, in New York City. His father was a merchant of Scottish background and stern disposition. His mother, on the other hand, the granddaughter of an English curate, was gentle and kind. Although Irving’s father, a church deacon, tried to restrict his children from simple pleasures, Washington, named after the United States’ first president, would slip away to wander throughout the then small town of New York City. The youngest of eleven children, Irving was frail as a child and had an undistinguished record as a student, being somewhat lazy as well as mischievous. He did read extensively the tales of adventure in his father’s library, however, all of which influenced his writings later.
Irving began apprentice law studies in 1802 with Josiah Ogden Hoffmann. Also in that year, his brother Peter began publication of the Morning Chronicle, an Anti-Federalist newspaper which supported Aaron Burr, for which Irving began to contribute letter essays under the pseudonym “Jonathan Oldstyle, Gent.” Although these early contributions were amateurish and imitative of essays in the British periodical The Spectator, they allowed Irving to experiment with various literary conventions and writing styles. Between 1804 and 1806, Irving traveled widely in England and throughout Europe, during which time he honed his powers of observation and strengthened his health. When he returned to the United States, he was admitted to law practice.
His real interest and talent, however, lay in his writing. In 1807, along with his brother William and James Kirke Paulding, Irving helped establish another periodical, Salmagundi, a satiric and lively send-up of whatever the three young men thought needed parodying. Although Irving’s father died in 1807, most biographers agree that the greatest tragedy in the early part of his life was the death of Matilda Hoffman, his first great love and the woman whom he intended to marry. In 1809, Irving published his first major work, A History of New York, a burlesquely comic narrative in which he created the persona Diedrich Knickerbocker, who appears later as the teller of Irving’s most famous stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle.” The book brought Irving his first taste of literary success, and in 1812 he became the anonymous editor of Analectic Magazine.
In May, 1815, Irving traveled to Liverpool, England, on behalf of the hardware business of which he was a partner with his brothers Peter and William. It was here that he discovered what poor financial condition the business was in and here also that he faced with his brothers the bankruptcy courts. Thus, it was not a burning love of literature that made Irving begin his writing career in earnest, but rather his desperate need to make a living. Irving stayed in Europe for the next seventeen years, finally returning to the United States in 1832, but only after he had become the famous author of The Sketch Book of Geoffrey Crayon, Gent. (1819-1820).
A few months after the bankruptcy of his company, Irving began writing in earnest on the first installments of his series of tales and essays that were to become The Sketch Book. Sending them to his brother Ebenezer in the United States for publication, Irving wrote, characteristically, that his greatest desire was to make himself worthy of the goodwill of his countrymen. He did much toward achieving his goal by including in this first number perhaps the most memorable mythic figure in all of American literature, Rip Van Winkle. In the installments that followed, Irving almost single-handedly established the beginning of American literature. No American work of literature, and few works from any country, received the amount of praise heaped upon The Sketch Book. It was truly the first international literary sensation to come from the New World.
Irving’s newfound success freed him and his brothers from their money worries and allowed Irving to indulge himself in his great love of travel. After several months in Paris, Irving returned to England to publish Bracebridge Hall (1822), which focused on the customs of England. Then he was off again, traveling through Europe until settling in Dresden for six months, after which he lived in Paris from August, 1823, until May, 1824. When he returned to London, he published the appropriately titled Tales of a Traveller (1824). This work was not well received by the critics, however, and caused Irving his first professional disappointment. His biographers call this an important transition period in Irving’s literary...
(The entire section is 2045 words.)