Themes and Meanings (Masterplots II: Short Story Series, Revised Edition)
On the most obvious level, “The Veldt” is a gruesome fable about the destructive consequences of sparing the rod and spoiling the child. However, it is also a satire on the modern consumer society from a traditional, humanistic viewpoint in the style of several other Ray Bradbury works, such as Fahrenheit 451 (1953) and The Martian Chronicles (1950). In all these stories, technology, backed up by commercialism and a utilitarian philosophy, tries to remove the inconveniences, difficulties, and challenges of being human and, in its efforts to improve the human material condition, impoverishes its spiritual condition.
Technology’s offering in this story is the Happylife Home, which mechanically performs almost every human function, including that of the imagination. The nursery reproduces images of the children’s thoughts, in effect becoming their imagination. This relieves the children of the necessity of developing their imagination by contact with the outside world, so that, despite their high intelligence, the children never grow up; significantly, Wendy and Peter have the same names as the hero and heroine of Peter Pan (1904). Without the chance to mature, the children sink to the level of beasts, demonstrated when Peter says that all he wants to do is see, hear, and smell. Thus, they identify not with characters in traditional children’s literature, such as “Aladdin’s Lamp” or The Wizard of Oz, but...
(The entire section is 428 words.)
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