Themes and Meanings (Masterplots II: Poetry, Revised Edition)
It is the ordinary, then, that compels the beauty and impact of “Varna Snow.” The midsummer snowstorm that begins the poem is one of those entirely natural events that is nevertheless so unexpected, so singular, and so stunning that it becomes a memory, a distinct moment in time preserved in remarkable detail by the imagination. Flint assures the reader that the imagination is not merely composed of such extraordinary events but is as well a storehouse of far more ordinary moments, like the annual hail of cottonwood seeds, moments that, unexamined, seem quite unremarkable and commonplace. Yet when apprehended by the open eye and recorded by the responsive imagination, such events become incandescent recollections still compelling more than forty years later.
If the imagination is the mechanism for preserving the past, it also compels the present. In line 19, amid his nostalgic recollections, the poet moves abruptly to his moment in the present when he has been so taken by the trees in Varna and particularly by the sight of the women sweeping the snowy piles along the sidewalk, another commonplace sight that ignites, nevertheless, a most striking response. Here Flint moves from past to present in a breathless six-line movement (lines 17-22) that is, in fact, three complete sentences uninterrupted even by a period. The ability to respond, this inexplicable ignition of observation occasioned by a thoroughly ordinary event in the natural world, is part of...
(The entire section is 517 words.)
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