Archibald Marshall wrote extensively for the humorous magazine Punch, and in writing a comic fantasy novel he consciously followed in the footsteps of one of Punch’s most famous regular contributors, F. Anstey. Anstey’s usual narrative strategy was to disturb the sternly prim world of the Victorian middle class with the anarchic activity of a single magical entity, but in the same year that Marshall published Upsidonia, Anstey reversed that strategy in In Brief Authority (1915), which takes an English family into a rather sinister fairyland, equipping his customary amiable comedy with a sharper edge.
Marshall does likewise. Beneath the steady stream of jokes that stem from the fundamental absurdity of Upsidonian culture, there is an authentic satirical edge constantly reminding readers that it is the good opinion of others rather than mere material wealth that allows people to be happy, and that possession of the latter without the former cannot do any good.
This is not the whole of the argument, however. In his scathingly acidic portrait of Lord Potter, Marshall informs readers that those who strive too strenuously for respectability become cynical, conscienceless, and cruel. The overweening pride of the “dirty set” is funny because it is ludicrous, but its farcical quality emphasizes that the altogether unfunny ludicrousness of the Lord Potters of the world is no laughing matter. Howard’s initial...
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