The Modern Hero
Ulysses has as its hero a most ordinary man, Leopold Bloom. So unlike the muscular, militaristic Homeric hero whose name serves as the novel’s title, Bloom is gentle, self-effacing, reserved, and peripheralized. Arguably more associated with home than the outer world, even though on this day he spends most of his time out about town, the kindly, other-centered Bloom is first depicted making breakfast for his wife and feeding the cat. He is a caring man, deeply attached to his wife and daughter and continuing to mourn the neonatal death of his son, Rudy. Whereas Ulysses welcomes adventures in strange and threatening places and has a crew of sailors he orders about, Bloom lives an ordinary man’s life and is a loner, an outsider, a Jew, a man who thinks about the physical world but chooses not to interfere, a man who lives very much in his body, responsive to women, courteous toward men, sensual in an unobtrusive way. He admires women on the street, wonders sympathetically about a woman in protracted labor, and talks politely to a childhood sweetheart. He helps a blind man cross the street, he tells an acquaintance his hat has a ding in it, and he kindly reminds someone of a loan and does not take offense when the man seems to brush him off.
While the daring epic hero slays the Cyclops and navigates between the rocks of Scylla and the whirlpool of Charybdis, Bloom maneuvers among offensive others, seeking to engage with them peacefully, deferring to others and not taking offense even when he is directly insulted. He dresses in black out of respect for a friend’s funeral and gives generously to the collection taken up for...
(The entire section is 685 words.)
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