Troilus and Criseyde is Chaucer’s longest complete work and in many ways his most polished; he wrote it at the peak of his creative powers and may well have expected it to endure as his most important literary achievement. Indeed, it has only been in the last century or two that readers have come to rank it a step beneath the incomplete and somewhat experimental The Canterbury Tales. His combining of the conventional setting and plot of medieval romance with realistic insights into character and motivation have led critics to debate whether it is more properly considered a sophisticated medieval romance or the first modern psychological novel.
The story of the Trojan War had long been a popular one in England, partly because of the popular legend that Britain had been founded by the Trojan hero Brut. It is not surprising, therefore, that Chaucer, like many of his contemporaries, wrote a book dealing with aspects of the Troy story. Chaucer’s interest lies not so much in the Trojan War itself (though political events caused by the siege affect the personal events that constitute his focus) as in the love story between the two title characters, both members of the Trojan aristocracy. Troilus and Criseyde do not appear as characters in the original version of the legend of Troy, Homer’s Iliad (c. 750 b.c.e.; English translation, 1611); Chaucer’s immediate source is the contemporary Italian poet Giovanni Boccaccio’s Il filostrato (c. 1335; The Filostrato, 1873), but Chaucer expands the poem considerably (from 5,740 to 8,239...
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