Tristram Shandy Analysis

Places Discussed (Critical Guide to Settings and Places in Literature)

Shandy Hall

Shandy Hall. Tristram’s chief misfortune is to be born in Shandy Hall, a world ruled by his father, Walter Shandy, who is determined to give Tristram, his only child, the best possible chances of success in life, only to be defeated at every turn. A botched conception, birth, and christening are the genesis of Tristram’s lifelong misfortunes, but they also mirror and mock the activities of those who attempt to control destiny with arcane lore, esoteric learning, and harebrained schemes.

Walter Shandy’s hodgepodge of philosophical and psychological ideas, formal logic, and theories of child-rearing form a comic opera in which his best plans are overturned, throwing Shandy Hall into constant turmoil. Within this microcosm, classical rhetoric, medieval literature, and biblical references mingle with allusions to astrology, alchemy, bridge-building, and fortifications. Citations in Latin, Greek, French, and Italian mingle with a technical vocabulary borrowed from science, medicine, and the legal profession. A dissertation on whiskers mingles with a long tale about a man’s nose. All of these disparate elements create a rich muddle that symbolizes not only Walter Shandy’s fecund mind but also the larger world of human affairs, which is marked by endless misunderstanding and ubiquitous charlatanism.

The events that take place within Shandy Hall represent, by implication, Tristram’s version of human history, a tragicomedy...

(The entire section is 605 words.)

Tristram Shandy Bibliography (Great Characters in Literature)

Booth, Wayne. “Did Sterne Complete Tristram Shandy?Modern Philology 48, no. 3 (February, 1951): 172-183. Draws on extensive biographical and textual evidence to dispel the notion that Tristram Shandy is a careless, haphazard book without logical structure. Claims that Sterne intended to end with Uncle Toby’s story from the novel’s inception.

Jefferson, D. W. “Tristram Shandy and the Tradition of Learned Wit.” In Laurence Sterne: A Collection of Critical Essays, edited by John Traugott. Englewood Cliffs, N.J.: Prentice-Hall, 1968. Locates Tristram Shandy in the satirical tradition of François Rabelais and Jonathan Swift. Studies how Sterne juxtaposes the discourses of medieval cosmology, medicine, physiology, law, religion, and military science with human folly.

New, Melvyn. “Tristram Shandy”: A Book for Free Spirits. New York: Twayne, 1994. A helpful introduction designed for students. A discussion of the historical milieu, literary importance, and critical reception of Tristram Shandy precedes five different, often contradictory, readings of the novel. Includes a brief annotated bibliography.

Traugott, John. Tristram Shandy’s World: Sterne’s Philosophical Rhetoric. Berkeley: University of California Press, 1954. Asserts that Sterne’s rhetorical project subverts John Locke’s rationalist doctrine of the association of ideas by positing the moral value of wit and human feeling. A valuable treatment of Sterne’s philosophy.

Zimmerman, Everett. “Tristram Shandy and Narrative Representation.” The Eighteenth Century: Theory and Interpretation 28, no. 2 (Spring, 1987): 127-147. Engages eighteenth century historical scholarship to balance Sterne’s moral vision and the limitations of viewpoint, narrative, and representation as they are reflected in Tristram Shandy.