Most critics agree that the strength of To Kill a Mockingbird lies in Harper Lee’s use of the point of view of Scout. This point of view works in two ways: It is the voice of a perceptive, independent six-year-old girl and at the same time it is the mature voice of a woman telling about her childhood in retrospect. Lee skillfully blends these voices so that the reader recognizes that both are working at the same time but that neither detracts from the story. Through the voice of the child and the mature reflection of the adult, Lee is able to relate freshly the two powerful events in the novel: Atticus Finch’s doomed defense of Tom Robinson and the appearance of the town recluse, Boo Radley. The child’s voice gives a fresh approach to looking at the racism issue in the novel. Both Scout and Jem struggle with confusion over why some people are acceptable in the social strata of their community and others are not. As Scout wisely answers Jem, “There’s just folks.” The mature adult voice serves to give the reader reflections on the events that a child could not yet see.
Regarding the plights of Tom Robinson and Boo Radley, Lee draws on the symbol of the mockingbird. Both Tom and Boo are victims of the prejudices of their community. Tom, who is an innocent black man accused of rape, is convicted by a white jury even though Atticus Finch proves that the evidence against Tom is false. Boo is another victim—first, of his father’s harsh religious views, and second, of the town’s ignorance and gossip. Both men are closely...
(The entire section is 636 words.)
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