'Tis Pity She's a Whore Analysis

John Ford

Historical Context

Title Page Published by Gale Cengage

When Ford's drama is read, there is frequently the suspicion that the playwright is exaggerating, that no society could be as unstable and...

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'Tis Pity She's a Whore Literary Style

Revenge Tragedy
As the name implies, a Revenge Tragedy is a play in which desire for revenge results in tragedy. Made...

(The entire section is 420 words.)

'Tis Pity She's a Whore Compare and Contrast

1633: The wealthy have more access to official outlets of justice like the law courts than the poor. Wealth is no guarantee...

(The entire section is 272 words.)

'Tis Pity She's a Whore Topics for Further Study

Ford's play can be read as a commentary on the corruption of the court and courtiers of his time. Analyze the play's themes and characters in...

(The entire section is 259 words.)

'Tis Pity She's a Whore Media Adaptations

The 1973 film version by Giuseppe Patrone Griffi, released by London's Miracle Films, stars Oliver Tobias. While not an entirely faithful...

(The entire section is 92 words.)

'Tis Pity She's a Whore What Do I Read Next?

Christopher Marlowe's Doctor Faustus (1594) tells the tragic tale of a gifted man who rejects social and moral...

(The entire section is 250 words.)

'Tis Pity She's a Whore Bibliography and Further Reading

Sources
Cantor, Paul A. "John Ford" in the Dictionary of Literary Biography, Volume 58: Jacobean and...

(The entire section is 268 words.)

'Tis Pity She's a Whore Bibliography

(Great Characters in Literature)

Bradbrook, M. C. Themes and Conventions of Elizabethan Tragedy. Cambridge, England: Cambridge University Press, 1960. Argues that Ford deals with a single subject, a personal human love, and that T. S. Eliot is quite mistaken in stating that the relationship between Giovanni and Annabella is only carnal.

Eliot, T. S. Essays on Elizabethan Drama. New York: Harcourt, Brace & World, 1960. Eliot asserts that the two lovers have nothing except a physical relationship. Eliot’s influential criticism is often a starting point for later critics, and so needs to be read as a reference.

Ellis-Fermor, Una Mary....

(The entire section is 160 words.)