As suggested by its title, the story’s main subject is death, an interest in much of Leo Tolstoy’s fiction, most notably in “The Death of Ivan Ilyich,” perhaps his most famous short work. In “Three Deaths” the questions of how the different social classes respond to death, how the dying respond to it, how the living respond to those who are dying, and finally what role God has in the cycle of life and death are explored.
The story, structured as an elaborate network of implicit comparisons and contrasts, shows underlying similarities despite surface differences between the upper and lower classes in how they are affected by this certain fact of experience. Marya is surrounded by family, is relatively young, is impatient with slight physical discomforts caused by her maid, attempts to flee from death, holds off serious thought of it to the end, and dies in the spring. In contrast, Uncle Fyodor is without any family, is old, puts up with cramped discomforts over a stove, seems resigned to what will shortly happen, and dies in the autumn. However, what is important, Tolstoy shows, is that both characters come to the same terminus.
Those around Marya attempt to show almost every consideration and hesitate to speak to her explicitly about death (Marya finds even the word “die” frightening); in contrast, Seryoga bluntly asks for Fyodor’s boots (tantamount to saying that a dead man will not need them), and the cook, Nastasya,...
(The entire section is 582 words.)