Themes and Meanings (Masterplots II: British and Commonwealth Fiction Series)
One important function of the novel is educational; indeed, Achebe stated that he would be content if Things Fall Apart did “no more than teach my readers that their past—with all its imperfections—was not one long night of savagery from which the first Europeans acting on God’s behalf delivered them.” In Things Fall Apart, Achebe effectively counters the persistent and self serving European stereotypes of African culture, particularly the notion that traditional African cultures are authoritarian, amoral, and unsophisticated. In refutation of this stereotype, Achebe carefully describes the complexity and fluidity of Igbo culture, disclosing its essential pluralism. Moreover, Achebe shows that the Igbo have a coherent system of values that nevertheless allows for a considerable exercise of individual choice. Although the novel is narrated in the third person, the sympathetic point of view is located within the Igbo culture, and the reader gradually comes to accept this perspective as natural.
Yet Achebe tries to avoid idealizing this historical past. Although sympathetic to it, he demonstrates that it cannot survive unaltered in a modern world. The novel’s title is taken from William Butler Yeats’s “The Second Coming,” and the novel presents a similarly ironic and apocalyptic vision of the failed effort to maintain order and balance. Okonkwo’s unsuccessful struggle with change parallels the Umuofians’ effort to...
(The entire section is 404 words.)
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Themes and Culture
The novel was written in reaction to European assessments of African culture as found in Joseph Conrad's Heart of Darkness (1902) and Joyce Cary's Mister Johnson (1939) and some critics have seen in it an effort to reverse the European view, presenting Igbo society as enlightened and the European/British colonizers as in the dark. Rather, it is an attempt to present accurately Igbo society and what its people endured in the clash of their culture with that of the British. With so much apparently determined by British occupation and rule, one major theme is that of fate vs. free will. Much of the interest in the book lies in Achebe's subtle handling of these forces as the characters both British and Igbo are in turn manipulated by or appear to steer successfully around forces beyond their control.
Okonkwo can be seen as psychologically determined by his weak father to avoid the appearance of weakness at all costs, hence his killing of Ikemefuna. Yet his own tribesmen have exonerated him from having to take a hand in the killing so that his choice is not externally determined. Misunderstanding and rigidity by chiefly male characters on both sides exacerbate already strained conditions of the colonial system. Achebe is careful to point out elsewhere that the British did not export democracy to the colonies; rather they undermined it and tried to govern the Igbo, who had a form of democracy in place, by a hierarchical, totalitarian system.
The testing of conventional wisdom on both sides by experience is also a common theme that is carried out by Achebe's use of both Christian and Igbo beliefs, proverbs and stories. Thus the fanatical Mr. Smith relies on biblical stories "of sheep and goats," "wheat and tares," and of "slaying the prophets of Baal." Ironically, it is his extremism that in part leads to the burning down of the church. On the other hand, the Igbo allot part of the Evil Forest, a demonic location where twin babies are thrown away, for the building of the church. When the church then prospers and no parishioners are harmed, the Igbo religion is dealt a severe blow. Likewise, the Church finds a ready convert in Okonkwo's abused son, Nwoye, who is attracted by the "poetry of the new religion," having been ridiculed for liking the traditional Igbo tales told by women. Furthermore, pariahs called osu, people who as part of a priest caste are not given a place in the clan and are buried in the evil forest, are also...
(The entire section is 866 words.)
Custom and Tradition
Okonkwo's struggle to live up to what he perceives as "traditional" standards of masculinity, and his failure adapt to a changing world, help point out the importance of custom and tradition in the novel. The Ibo tribe defines itself through the age-old traditions it practices in Things Fall Apart. While some habits mold tribe members' daily lives, other customs are reserved for special ceremonies. For example, the head of a household honors any male guest by praying over and sharing a kola nut with him, offering the guest the privilege of breaking the nut. They dank palm-wine together, with the oldest person taking the first drink after the provider has tasted it.
Ceremonial customs are more elaborate. The Feast of the New Yam provides an illustration. This Feast gives the tribe an opportunity to thank Am, the earth goddess and source of all fertility. Preparations for the Feast include thorough hut-cleaning and decorating, cooking, body painting, and head shaving. Relatives come from great distances to partake in the feast and to drink palm-wine. Then, on the second day of the celebration, the great wrestling match is held. The entire village meets in the village playground, or llo, for the drumming, dancing, and wrestling. The festival continues through the night until the final round is won. Because the tribe views winning a match as a great achievement, the winner earns the tribe's ongoing respect.
(The entire section is 1127 words.)