Places Discussed (Cyclopedia of Literary Places)
*French Riviera. Resort area along France’s Mediterranean coast that the novel refers to as the “home” of Dick Diver and his wife. The novel opens there, and the Divers periodically return there, and there the novel concludes with Dick blessing the beach from a terrace. As a literary device, the Riviera and its cities represent various aspects of the characters, the lives they lead, and the kinds of people they are becoming. The Riviera is pictured as a playground for the rich and famous, a place where Rosemary attends empty, pretentious parties with the Divers; where Nicole Warren spends money prodigiously—an indication of the relentless materialism of her family; where Dick repeatedly shines as glib host at dinner parties; where Mary North and Lady Caroline Sibly-Biers are arrested for their careless, condescending shenanigans; and where Nicole’s infidelity with Tommy Barban occurs.
Gausse’s Hôtel des Étrangers
Gausse’s Hôtel des Étrangers (gos-es oh-tel day-say-trahn-jay). Hotel on the French Riviera located somewhere “between Marseilles and the Italian Border” in which the novel opens. The hotel’s beach is where the initial infatuation begins between Dick Diver and film star Rosemary Hoyt and is the site of many scenes juxtaposed to indicate both the Divers’ charm as a couple and the ultimate disintegration of their marriage.
The hotel is significant as a gathering place for an elite group of wealthy and fashionable people, of whom Dick Diver is the indisputable star. Initially Diver’s “talent” is described as an ability to bring out the best in people and make them feel...
(The entire section is 688 words.)
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Ideas for Group Discussions
Compare and Contrast
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Bibliography and Further Reading
Bibliography (Cyclopedia of Literary Characters, Revised Third Edition)
Bruccoli, Matthew J. The Composition of “Tender Is the Night”: A Study of the Manuscripts. Pittsburgh, Pa.: University of Pittsburgh Press, 1963. This definitive study of the text provides a comprehensive analysis of the novel’s seventeen drafts. By chronicling significant changes between versions, Bruccoli offers valuable evidence of the forces that influenced Fitzgerald’s creative process.
Hook, Andrew. F. Scott Fitzgerald: A Literary Life. New York: St. Martin’s, 2002. Part of the Literary Lives series. Concise rather than thorough, but with some interesting details.
LaHood, Marvin J., ed....
(The entire section is 277 words.)