Symbolism Biography

Introduction

The symbolist movement in literature originated during the 1850s in France and lasted until about 1900. Symbolism exerted a profound influence on twentieth-century literature, bridging the transition from Realism to Modernism. Symbolism also exerted a strong influence on the arts, including theatre, painting, and music. The symbolists sought to convey very personal, irrational, and dream-like states of consciousness, relying heavily on metaphorical language to approximate, or symbolize, an eternal essence of being that, they believed, was abstracted from the scope of the five senses. These literary ideals developed as a reaction against the dominance of positivism, which emphasized rational thought, objectivity, and scientific method. Symbolism also represented a reaction against Realism and Naturalism in literature, which sought to accurately represent the external world of nature and human society through descriptions of objective reality. Stylistically, the symbolists emphasized the inherent musicality of language, developed the use of vers libre (free verse), and modernized the existing form of the prose poem. The symbolists were greatly influenced by the poetry of Charles Baudelaire, whose Les fleurs du mal (1857; Flowers of Evil) embodied many of their literary ideals. In addition to Baudelaire, the central figures of French Symbolism are the poets Stéphane Mallarmé, Paul Verlaine, and Arthur Rimbaud. French Symbolism affected international literature of the nineteenth and twentieth centuries, in particular, inspiring the Russian symbolist movement, which developed in the 1880s. The literature of Germany, Great Britain, Japan, the United States, and Turkey was also influenced by Symbolism. Though poetry dominated the symbolist movement, great works of fiction and drama were also written by adherents of Symbolism.

Symbolism Representative Authors

Charles Baudelaire (1821–1867)
The poetry of Charles Baudelaire was the chief inspiration for the development of Symbolism. His masterpiece, Les fleurs du mal (Flowers of Evil), and his important collection of prose poetry Petits poèmes en prose (1868; Little Prose Poems), embody the central ideals of the symbolist movement. Baudelaire was born on April 9, 1821, in Paris, France. As a young man he established himself as a popular critic of art and literature. When he first encountered the short fiction of American writer Edgar Allen Poe in 1847, Baudelaire immediately felt that Poe’s literary sensibilities resonated strongly with his own. Thenceforth, he devoted much of his life to translating the works of Poe into French. Through these translations, Poe became an important influence on the later French symbolist poets. In 1848, Baudelaire participated in two major political events in France, the Revolution of 1848 and the June Days rebellion. In 1855, eighteen of his poems were published in a literary journal as a collection entitled Flowers of Evil. Flowers of Evil was eventually expanded to include over one hundred poems and published as a single volume. In the 1860s, Baudelaire began to compose the prose poems that were posthumously collected in the volume Little Prose Poems (later republished as Le spleen de Paris, or Paris Spleen). Baudelaire died of complications resulting from syphilis on August 31, 1867, in Paris, in financial ruin and with many of his poems still unpublished. However, the young generation of writers who developed the symbolist movement regarded him as their literary father, and Baudelaire soon came to be widely viewed as one of the greatest French poets of the nineteenth century.

Aleksandr Blok (1880–1921)
Aleksandr (Aleksandrovich) Blok is considered the greatest poet of the Russian symbolist movement. Blok’s symbolist masterpiece is the epic poem, Dvenadtsat (1918; The Twelve). His literary ideals developed from a synthesis of the influences of Russian poets Aleksandr Pushkin and Vladimir Solovyov. Blok was born on November 16, 1880, in St. Petersburg, Russia, and died on August 7, 1921, in Petrograd (the postrevolutionary name given to St. Petersburg).

Joris-Karl Huysmans (1848–1907)
Joris-Karl Huysmans’s À rebours (1884; Against the Grain) is considered the greatest novel to emerge from the symbolist movement. Huysmans was born Charles Marie Georges Huysmans, February 5, 1848, in Paris, France. Huysmans took up a lifelong career as a civil servant for the French government. He became associated with the naturalist school of fiction headed by the great French novelist Emile Zola. The publication of Against the Grain, however, signaled his break with Naturalism, as the novel embodies the ideals of the symbolist poets. His novel Là-bas (1891; Down There) is based on a real-life historical figure who was executed in 1440 for murdering children. Huysmans died of cancer May 12, 1907, in Paris.

Maurice Maeterlinck (1862–1949)
Maurice Maeterlinck was the foremost playwright of the symbolist movement and the greatest Belgian playwright of the nineteenth and twentieth centuries. Maeterlinck was born on August 29, 1862, in Ghent, Belgium. He studied law and was admitted to the bar in 1886. Maeterlinck worked as a lawyer until 1889, when he decided to devote himself to writing. In 1897, Maeterlinck went to Paris, where he met many of the leading symbolist writers of the...

(The entire section is 1465 words.)