Stephen King American Literature Analysis
King occupies an unusual position among modern American writers. He is, first, a phenomenally successful commercial writer: His novels and short stories, in both hardcover and paperback editions, have sold many millions of copies; each new work he writes is virtually assured of best-seller status; and films, teleplays, and other spinoffs from his stories have made his name nearly an ironclad guarantee of profitability. At the same time, he can also lay claim to being a “serious” writer who treats universal themes with great originality. The vehicle he uses is often—but by no means always—the horror novel, and the question he most often addresses is that of the nature of evil. Though this theme has been central to many of the greatest works of literature, today’s secularized modern society has generally rejected traditional beliefs in absolute good and evil. King’s works do not suggest any specific moral or religious doctrines, but he does seem to assert that evil is real, absolute, and inherent in nature.
In several of his works, evil is portrayed as a supernatural force which takes over some object or human being. In the novel The Shining (1977), for example, a demoniac power has occupied the old Overlook Hotel, and it gradually possesses Jack Torrance, the hotel’s caretaker, and drives him insane. In The Stand (1978), Satan takes on the form of Randall Flagg, one of the few survivors of a biological holocaust, in an...
(The entire section is 7548 words.)
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