Biography (Magill's Survey of American Literature, Revised Edition)
Born in New York City on May 11, 1930, Stanley Elkin was raised in Chicago. His father, Philip, a highly successful traveling salesman for a costume-jewelry concern and an equally accomplished raconteur, had a pronounced influence on Elkin’s writing, in terms of both style and subject. Just as important were the elder Elkin’s fear of being thought less than he was and the four heart attacks that would cut short his career and then his life.
For all the rhetorical as well as geographical expansiveness of his fiction, Elkin stayed close to home, first by choice, later by medical necessity. He attended the University of Illinois at Urbana, where he earned a B.A. in 1952, an M.A. in 1953, and, following a stint in the Army, a Ph.D. in 1961. It was during his military service that Elkin became interested in radio broadcasting, which figures so prominently in his third novel, The Dick Gibson Show (1971). In 1960, he joined the English faculty at Washington University in St. Louis, where he taught creative writing. Elkin began writing fiction while still a graduate student. His first published story, “A Sound of Distant Thunder,” appeared in Epoch in 1957, and his first mass-market publication, “I Look Out for Ed Wolfe,” appeared in Esquire five years later.
Also in 1962, Elkin, with financial assistance from...
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Biography (Magill's Survey of American Literature, Revised Edition)
The Book of Job, Elkin claimed, “is the only book . . . because all books are the Book of Job,” and the best proofs of this assertion are the books Elkin himself has written. Thematically, they make the case for the position taken by one of William Faulkner’s characters, that “between grief and nothing, I will take grief.” Stylistically, Elkin’s books make a virtue and an art of excess, of obsession, of the extraordinariness of the ordinary, and above all of naked human need. It is an art that is at once defensive and self-assertive, a way of out-grotesquing life’s grotesquerie and all of its bad jokes, including the painful MS that Elkin painstakingly transforms into MS, or malady into manuscript.
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Biography (Critical Survey of Short Fiction, Second Revised Edition)
Stanley Lawrence Elkin was born in Brooklyn, New York, on May 11, 1930. He grew up in Chicago and was educated at the University of Illinois at Urbana, where he earned his B.A. and M.A., and his Ph.D. in English in 1961. While still at the University of Illinois, Elkin married Joan Marion Jacobson, an artist; together they became the parents of two sons and a daughter. After serving in the armed forces for two years (1955-1957), Elkin spent several years living in London and Rome with his wife, prior to writing his first novel, Boswell (1964). A Bad Man (1967) was written on a John Simon Guggenheim Memorial Foundation Fellowship. His short fiction, much of it later integrated into his novels, has been collected in many anthologies.
In 1960, before earning his Ph.D., Elkin taught English at Washington University in St. Louis. He was assistant professor (1962-1966), associate professor (1966-1969), and became a full professor of English in 1969. In 1983, he became a Kling Professor of Modern Letters. He was visiting lecturer and visiting professor at several institutions, including Smith College, the University of California at Santa Barbara, the University of Wisconsin at Milwaukee, Yale University, and Boston University. Death is a key subject in Elkin’s fiction, as is the obverse. Perhaps his heightened sense of death and life stem from the fact that he suffered from multiple sclerosis, which was diagnosed in 1961. He died of a heart...
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Biography (Critical Survey of Long Fiction, Fourth Edition)
Stanley Lawrence Elkin was born on May 11, 1930, in Brooklyn, New York. His father, a traveling salesman and noted storyteller, later moved to the Chicago area, where Elkin spent his early childhood. At the age of twenty-two, while enrolled at the University of Illinois at Urbana, Elkin married Joan Marion Jacobson, an aspiring young artist. Two years later, in 1955, he enlisted in the U.S. Army, where he served two years in the field of radio communications. After his tour of duty, Elkin and his wife spent some time in Europe, especially Rome and London, where he began writing what would later be his first novel, Boswell. Returning to the United States, Elkin resumed his studies at the University of Illinois at Urbana, continuing his graduate work in English and working for the student magazine, Accent, which published his first short story, “Among the Witnesses,” in 1959.
Before receiving a Ph.D. from the University of Illinois at Urbana in 1961, Elkin took a position teaching English at Washington University in St. Louis. He was visiting lecturer at institutions such as Smith College, the University of California at Santa Barbara, the University of Wisconsin at Milwaukee, Yale University, and Boston University. Beginning in 1983, he held the title of Kling Professor of Modern Letters at Washington University. Elkin died of a heart attack in St. Louis in 1995, after long suffering from multiple sclerosis, first diagnosed in 1961....
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Stanley Elkin writes darkly humorous works. About half of his characters are Jewish, mostly secular Jews. Many of them, however, resist assimilation into mainstream American life. In his short stories and novels, Elkin establishes Jewish identity in two major ways. He captures Jewish humor through the unique intonations of Jewish American speech, and he casts his characters in professions often entered by Jewish men.
A consummate stylist, Elkin often presents his characters as caught between their religious heritage, which they consider anachronistic and from which they have distanced themselves, and late twentieth century American society, into which they refuse to integrate. To repair a tattered self-image, the gentile protagonist in Boswell: A Modern Comedy forms a club for famous and successful people; he then cannot sacrifice his individuality by joining.
Although Elkin considered himself a novelist, Criers and Kibitzers, Kibitzers and Criers, which clearly established his identity as a Jewish writer, caused many readers and some critics to consider Elkin essentially as a short-story writer. Elkin clearly established his identity as a novelist, however, by producing more than ten novels.
Aside from Criers and Kibitzers, Kibitzers and Criers, about half of whose stories treat Jewish subjects, Elkin...
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Biography (Cyclopedia of World Authors, Fourth Revised Edition)
Stanley Lawrence Elkin had the distinction of multiple tenancy in some of the most compelling camps of contemporary fiction: He is categorized along with writers such as Joseph Heller, Bernard Malamud, and Philip Roth as a prominent contributor to the postwar Jewish American renaissance; he is often compared with Kurt Vonnegut, Jr., Bruce Jay Friedman, and other so-called black humorists; and he was allied with Robert Coover, William Gass, and John Hawkes by virtue of his self-conscious craftsmanship and postrealist sensibilities. Born in 1930 in Brooklyn, Elkin described his father as an energetic salesman who was always ready with a good joke or story. His father appears to be the model for Elkin’s parade of word-drunk middle-class obsessives, the “vocalized vocations,” manic drummers, and eccentric raconteurs that dominate his novels. He credited his mother for paving the way to his writing career by financing a trip to Europe that temporarily relieved him of the demands of writing his dissertation (on William Faulkner) and that enabled him to complete his first novel, Boswell.
Elkin was reared on Chicago’s South Side, where his early aptitude for writing stories led to his decision to enter the University of Illinois in Urbana, where he first majored in journalism and then in English. His extracurricular activities included...
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