Style and Technique (Masterplots II: Short Story Series, Revised Edition)
Although Oates has tried many techniques in various genres during her prolific career, she stated in an interview that she has “done a good deal of experimentation with very short stories—’miniature narratives,’ I call them. I would like some day to assemble them into a book. They are, in a sense, ’minimalist’; in another sense a species of prose poetry.” “Stalking” is barely more than eight pages long, yet the realistic depiction of the suburban wasteland—striking because of its exactness of detail and haunting familiarity—is only the facade for the disturbing psychological repercussions to this environment as they are demonstrated through the character of Gretchen.
Gretchen is an adolescent from an upper-middle-class family, yet she spends her November Saturday in a bizarre game of stalking the demon: her own Doppelgänger, her other self. She is a product of the American Dream, and she is also heir to the liabilities that can turn that dream into a nightmare. With her characteristic use of italicized thoughts and feelings, Oates, as always, demonstrates a great fidelity to the American condition, both as it is described realistically and as it is portrayed through those thoughts and feelings that lurk below consciousness. It is the image of the muddy boots that leave their footprints throughout the story with no sidewalks that remains: “Entranced, she follows the splashes of blood into the hall, to the stairs . . ....
(The entire section is 257 words.)
Want to Read More?
Subscribe now to read the rest of this article. Plus get complete access to 30,000+ study guides!
Bibliography (Masterplots II: Short Story Series, Revised Edition)
Bender, Eileen Teper. Joyce Carol Oates: Artist in Residence. Bloomington: Indiana University Press, 1987.
Bloom, Harold, ed. Modern Critical Views: Joyce Carol Oates. New York: Chelsea House, 1987.
Cologne-Brookes, Gavin. Dark Eyes on America: The Novels of Joyce Carol Oates. Baton Rouge: Louisiana State University Press, 2005.
Creighton, Joanne V. Joyce Carol Oates: Novels of the Middle Years. New York: Twayne, 1992.
Daly, Brenda O. Lavish Self-Divisions: The Novels of Joyce Carol Oates. Jackson: University Press of Mississippi, 1996.
Johnson, Greg. Invisible Writer: A Biography of Joyce Carol Oates. New York: Dutton, 1998.
Johnson, Greg. Understanding Joyce Carol Oates. Columbia: University of South Carolina Press, 1987.
Wagner-Martin, Linda, ed. Critical Essays on Joyce Carol Oates. Boston: G. K. Hall, 1979.
(The entire section is 112 words.)