Themes and Meanings (Masterplots II: Poetry, Revised Edition)
Whitman expresses his main theme in the poem through the first-person narrator, or the “I.” This persona or dramatic personality dominates “Song of the Open Road” and connects its diverse subjects and argument. The role of this dramatic personality and the ideology it has to offer are inseparable, for the personality is emblematic of the joyous journeyer, the individual who has broken away from the herd and achieved autonomy, the spiritual wayfarer traveling light and footloose. Just as important as the “I” are Whitman’s many uses of “you,” which refer not only to the road or to would-be male and female “companions” but also to the reader. Ultimately, the dialogic relationship between persona and reader is at the heart of the poem’s meaning. Other important themes include the necessity of a profoundly democratic receptivity, of diverse experience, of “adhesiveness” or comradeship, and of contact with nature. Regarding life in the open air, the persona declares that “The earth never tires,/there are divine things well envelop’d.”
One finds in “Song of the Open Road” that the persona has enacted or is in the process of enacting various “movements”: from the social world to the world of nature, from the realm of constraints and restrictions to the realm of limitless possibilities, from the literal to the symbolic, from an enervating rationality to intuition, from the static to the dynamic, and from the physical or...
(The entire section is 559 words.)
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