Themes and Meanings (Masterplots II: Poetry, Revised Edition)
Though called a “song,” this poem is far from lyrical, and this discrepancy marks its first break with the past. The implication is that the old kind of song no longer works; it lacks currency. The poem’s title also establishes the persona of the happy shepherd, suggesting with apparent inconsistency a link with the ancient tradition of pastoral poetry, which was centered in the fictitious invention of a timeless landscape populated with innocent sheep and blissful shepherds whose simple singing became poetry. Curiously, in both the original Greek and Roman versions of this convention, and in its Renaissance revival, the pastoral world is considered a refuge from and an antitype to the political world of influence and inside trading. Thus it can be used as a basis for social critique. By similarly withdrawing his happy shepherd, Yeats creates a persona removed from the world and privileged to comment on it.
That is exactly what his happy shepherd does. He begins by lamenting the fate of the woods of Arcady, because that is an image not only of his real home but also of a parallel universe necessary for the spiritual health of modern man. Having rejected that parallel universe, man today has nothing with which to nourish his soul in this world of gray fact. Mankind diverts itself with illusions, but evidences of spiritual decay abound in so-called civilization. The shepherd proclaims that in this materialistic jungle, only words offer certitude and...
(The entire section is 556 words.)
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