Summary (Magill's Survey of World Literature, Revised Edition)
The opening of Lem’s best-known novel, Solaris, illustrates his capacity, reminiscent of Arthur C. Clarke’s, to create believable accounts of futuristic technology, but the book’s central concerns are with the psychological and the theological rather than the technological.
The novel begins with a meticulous description of cosmic adventurer Kris Kelvin’s shuttle flight from the starship Prometheus to a research station on planet Solaris. The scientific verisimilitude of this introductory scene is followed by a mystical and claustrophobic tale of guilt and love by means of which Lem examines profound questions of identity, communication, creative thought, and divine power.
The central premise of the plot is that several generations of experimenters and theoreticians have attempted, without success, to comprehend and make contact with the godlike oceanic life form that surrounds the planet Solaris, an effort which is continuing. In the past, much of the research, which Lem describes by using his frequently employed device of elaborate digression, has involved cataloging complex architectonic structures on the planet’s surface and speculating on what thought processes might lie behind their appearance, evolution, and reabsorption. These speculations, a vehicle for conveying Lem’s own meditations on the nature of creative thought, vary from attributing nothing more than a mechanical origin to the structures to seeing...
(The entire section is 672 words.)
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Summary (Masterplots II: World Fiction Series)
Solaris, a planet which orbits a double star, is covered with an “ocean.” The ocean is a colloidal substance which, by altering its shape, somehow maintains the orbit of the planet, which otherwise would plunge eventually into one of its suns. Solaris was found by space travelers from Earth in the century previous to the setting of the novel. Its remarkable single inhabitant, the ocean, has caused an entire field of Solarian studies to arise and has produced an enormous library of scientific publications.
Kris Kelvin, a young researcher in “Solaristics,” arrives from Earth, descending from an orbiting rocket ship to a laboratory station which hovers above the Solarian ocean. He expects to join three researchers who have been there for some time. He finds the laboratory in great disorder and one of the scientists, Gibarian, dead from a recent suicide. Another, Sartorius, refuses to leave his room, and the third, Snow, reacts in terror to Kelvin’s arrival. He has to be convinced that Kelvin is who he claims to be.
Kelvin has an eerie feeling that he is being observed even when he is alone, and Solaris is thus, in part, a detective story, in which Kelvin, through a series of deductions, discovers what has caused the disruption in the work of the laboratory.
The Solarian ocean, in fact, is found to be a sentient being, capable of reading the human mind and creating, apparently out of its own substance, exact copies...
(The entire section is 843 words.)
Summary (Masterplots, Fourth Edition)
Kris Kelvin arrives at the Solaris research station to find it in a state of utter confusion. Gibarian, one of the three scientists on staff at the station, has committed suicide. One of the others, Dr. Sartorius, has locked himself away. The third, Dr. Snow, is terrified to the point of madness. While trying to figure out what happened, Kelvin contemplates the mystery of Solaris: a planet following an impossible orbit around a double sun, seemingly able to do so because the colloidal ocean that covers its entire surface is capable of making continual adjustments to the world’s gravity to maintain its path. This living ocean undergoes ceaseless metamorphic transformations, producing many kinds of different structures with no discernible pattern; the Solarists studying the world produce many hypotheses to account for these transformations, but they are unable to confirm any of them.
After catching a brief glimpse of another person, Kelvin confronts Snow and demands to know who it is, but Snow refuses to tell him anything. Kelvin ascertains, however, that Sartorius, who is equally unhelpful, is not alone in his rooms. Later, Kelvin is visited in his own quarters by his dead wife Rheya, looking exactly as she did when he last saw her ten years before. Kelvin is horrified by the impossibility of Rheya’s manifestation, while she is gradually possessed of an oddly passive anxiety as she realizes that she cannot understand or explain where she is or how she...
(The entire section is 708 words.)