“The Sleepers” has been called a surrealistic poem. Although it certainly possesses the disconnected incidents and imagery characteristic of dreams, however, it also has a discernible, tripartite structure that suggests a myth of initiation, death, and rebirth. In the first part, which consists of the first two sections, the persona wanders freely at night and sympathetically identifies with a wide variety of sleeping people; in part 2 (sections 3-6) the persona experiences vicariously the destructive and painful aspects of human experience; part 3 (sections 7-9) celebrates the night world of restoration, rebirth, and cosmic unity.
In section 1, as the persona overlooks the sleepers—drunkards, idiots, the insane, a married couple, a mother and child, a prisoner, and others—the night in which they sleep is presented almost as a mystic presence which “pervades them and infolds them,” rather like the Oversoul in the thought of Emerson. The speaker then undergoes some kind of initiation: He pierces the darkness, new beings appear, and he dances and laughs in a bacchanalian whirl, accompanied by divine spirits. The result is that he is able to become the people he is observing and dream their dreams with them. This mystic expansion of the self into all things is similar to the central idea in “Song of Myself.”
Part 2 consists of three unconnected visions. First, a beautiful, nude, male swimmer is caught in a tide which draws him to death; there is also a shipwreck, and the persona desperately tries to...
(The entire section is 628 words.)