Sister Carrie, like most of Theodore Dreiser’s novels, embodies Dreiser’s belief that while humans are controlled and conditioned by heredity, instinct, and chance, a few extraordinary and usually unsophisticated individuals refuse to accept their fate wordlessly and instead strive, albeit unsuccessfully, to find meaning and purpose for their existence. Carrie, the title character, senses that she is merely a cipher in an uncaring world, yet she seeks to grasp the mysteries of life and satisfy her need to matter. In pointing out “how curious are the vagaries of fortune,” Dreiser suggests that even when life is cruel, its enigmatic quality makes it all the more fascinating.
Despite its title, the novel is not a study of a family but of Carrie’s strangely unemotional relationships with three men and of the resulting and unexpected changes that occur in her outlook and status. A “half-equipped little knight” with small talent, Carrie’s “instinct” nevertheless raises her from a poor young woman to a successful actor. The novel traces the rise, through Carrie’s increasing reliance on instinct, in three stages of development.
Initially, Carrie is at least partially ruled by reason, but by the end of the first phase of her rise—marked by her accidental second meeting with Drouet and her submission to his promises—she begins to abandon reason, since it has not served her well. During this second portion, her...
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