Style and Technique
Mason writes “Shiloh” in a realistic style into which she weaves symbolic images and references. By paralleling Norma Jean and Leroy with the North and South in the Civil War—and, further, by linking this conflict with the mutual annihilation of the West and the East imagined in Doctor Strangelove—Mason approaches allegory. The word “civil” can refer to marriage as well as to the war between the states, which is also ironic. Mason’s references to Monroe and Presley, to songs such as “Sunshine Superman,” and to films such as Doctor Strangelove, provide a commentary on the characters and incidents of the story. All of these references communicate Mason’s view of the direction taken by history since the defeat of agrarianism in the Civil War.
Mason also uses patterns of imagery to communicate her theme. Images of death are dominant. Death from industrial pollution is linked to the subdivisions spreading “like an oil slick.” Leroy relates this to the disappearance of the farmers, another kind of death. He compares the new, white-columned brick house of Stevie Hamilton’s father to a funeral parlor. At Shiloh, he thinks the cemetery of the Union dead, with its white markers, looks like a subdivision site. Norma Jean walks through this cemetery following a brick path. The word “brick” echoes its use in the description of Dr. Hamilton’s house. This suggests to the reader where Norma Jean will end up if she leaves...
(The entire section is 478 words.)