Sea Glass Summary

Summary (Masterpieces of American Fiction)

Set in the Chinatown of Concepcion, California, in the early 1970’s, Sea Glass is the story of a second-generation Chinese American boy who is struggling to find his identity as a Chinese, as an American, and—most important—as a person. Pressing against young and overweight Craig Chin are two seemingly overwhelming problems: His father expects him to excel in sports in order to achieve acceptance as an American, and, when the novel opens, Craig is undergoing troubles as the new boy at school. His family has just moved to Concepcion from San Francisco.

The novel is organized into ten chapters of approximately equal length and importance. Each is divided into shorter subchapters to give the work something of an episodic effect and substance. The work has only one narrator, young Craig Chin himself; thus the point of view is entirely that of the adolescent boy as he struggles with his problems and new surroundings. The setting of the novel, in its entirety, is Concepcion, California.

The book opens with Craig trying unsuccessfully to play football with some new acquaintances upon his arrival in the new town. Craig’s father stands on the sidelines to shout instructions to Craig and the other players. Because Calvin Craig had been successful in high school as an athlete, he believes his son can achieve acceptance in American society only by becoming a sports hero at school. Craig is fat and uninterested in football or any other such activity; however, he cannot make his father accept these facts.

In the next chapter, Craig’s father has changed the game from football to basketball, where the same pattern occurs again. Craig cannot play basketball well, no matter how hard he tries; he succeeds only at humiliating himself and his father, who relentlessly claims that enough practice and hard work will make Craig a star player. He claims this even when it is clear to everyone that it cannot...

(The entire section is 792 words.)

Sea Glass Bibliography (Masterpieces of American Fiction)

Burns, Mary M. “Sea Glass.” The Horn Book Magazine 55 (October, 1979): 542. The reviewer focuses mostly on conflicts between children and parents but also emphasizes the clash between American and Chinese cultures in the United States. There is some discussion of Yep’s narrative techniques, style, and structure in the novel.

Burnson, Patrick. “In the Studio with Laurence Yep.” Publishers Weekly 241 (May 16, 1994): 25-26. Although Burnson’s article does not mention Sea Glass, it offers an interesting overview of Yep’s life and career.

Dinchak, Marla. “Recommended Laurence Yep.” English Journal 71 (March, 1982): 81-82. Dinchak provides a thorough discussion of Sea Glass as well as three other novels by Yep: Sweetwater (1973), Dragonwings, and Child of the Owl. She makes valid comparisons among the teenage protagonist-narrators of the four works. In so doing, she takes up matters of adolescent conflicts, rebellion against parents, and communicating with others.

Fritz, Jean. “Sea Glass.” The New York Times Book Review, January 20, 1980, p. 30. Fritz’s review focuses mostly upon the problems of Chinese Americans proving themselves as Americans. She explains Yep’s purposes in retelling the story of a father-son conflict,...

(The entire section is 425 words.)