Study Guide

The Sculptor's Funeral

by Willa Cather

The Sculptor's Funeral Analysis

Style and Technique (Comprehensive Guide to Short Stories, Critical Edition)

The deliberate choice of rendering the events of the story through the point of view of Steavens, Harvey Merrick’s young apprentice, strongly colors the reader’s response to those events. An unworldly young man whose chief characteristic is his admiration for the dead sculptor, Steavens looks on Merrick’s family and the inhabitants of Sand City with such horror and scorn that they take on the aspects of caricature at times. There is no indication that Cather does not share the views of Steavens, but she does complicate matters with her portrayal of Jim Laird, who is by far the most interesting character in the story. The biting and to some degree simplistic satire on small-town life, the descriptive style that verges at times on the naturalistic, despite Cather’s avowed distaste for this term, are qualified by the figure of Laird. Laird’s physical appearance (he is large, redheaded, bearded) and vitality make a strong impression, and in one scene, in which he opens with one blow of his fist a window that Steavens has been unable to move, there is a suggestion that this strength is not simply physical. The speech he makes in response to the petty criticisms the townsfolk have leveled at Merrick, is a set piece that rather too clearly expresses the views of Cather herself. However, it is also a moving testimony to what remains noble and visionary in Laird. He is a lost soul, one who sees the truth but has not been able to follow it himself. Cather clearly intends the reader to view him sympathetically. The beauty of the prairie landscape, along with Cather’s portrayal of Jim Laird, suggests the possibility of a less monolithic vision of pioneer life than the story, for the most part, offers, and one that would shape Cather’s later work.

The Sculptor's Funeral Bibliography (Comprehensive Guide to Short Stories, Critical Edition)

Bloom, Edward A., and Lillian D. Bloom. Willa Cather’s Gift of Sympathy. Carbondale: Southern Illinois University Press, 1962.

Bloom, Harold, ed. Modern Critical Views: Willa Cather. New York: Chelsea House, 1985.

Gerber, Philip L. Willa Cather. Rev. ed. New York: Twayne, 1995.

Goldberg, Jonathan. Willa Cather and Others. Durham, N.C.: Duke University Press, 2001.

Nettels, Elsa. Language and Gender in American Fiction: Howells, James, Wharton, and Cather. Charlottesville: University Press of Virginia, 1997.

O’Connor, Margaret Anne, ed. Willa Cather: The Contemporary Reviews. New York: Cambridge University Press, 2001.

Romines, Ann, ed. Willa Cather’s Southern Connections: New Essays on Cather and the South. Charlottesville: University Press of Virginia, 2000.

Shaw, Patrick W. Willa Cather and the Art of Conflict: Re-visioning Her Creative Imagination. Troy, N.Y.: Whitston, 1992.

Skaggs, Merrill Maguire, ed. Willa Cather’s New York: New Essays on Cather in the City. Madison, N.J.: Fairleigh Dickinson University Press, 2001.

Stout, Janis P. Willa Cather: The Writer and Her World. Charlottesville: University Press of Virginia, 2000.

Stout, Janis P., ed. Willa Cather and Material Culture: Real-World Writing, Writing the Real World. Tuscaloosa: University of Alabama Press, 2005.

Wasserman, Loretta. Willa Cather: A Study of the Short Fiction. Boston: Twayne, 1991.

Woodress, James. Willa Cather: A Literary Life. Lincoln: University of Nebraska Press, 1990.