*Paris. Capital of France in which the novel opens in the midst of a costume ball at the home of the wealthy engineer Déchelette on the rue de Rome. Alphonse Daudet’s detailed description of the event and its illustrious personages, as seen through the eyes of the twenty-one-year-old student Gaussin, who has recently come to Paris from the south of France, reveals that the elegant lifestyle of the wealthy and famous socialites is but a facade. The gay masks behind which they hide foreshadow the revelations of hypocrisy and duplicity to follow.
While the grand hall appears like a fairy tale to Gaussin, he is uncomfortable and about to leave the ball when the courtesan Fanny Legrand, in the guise of an Egyptian woman, entices him with conversation, accompanying him to his student lodging in the rue Jacob. There, Gaussin chivalrously offers to carry Fanny up the four steep landings of the narrow stairway, but, in one of the funnier visual moments of the book, he is soon panting like a piano carrier despite his youth and enthusiasm for the task. Afterward, Fanny reappears frequently at his door for uninvited trysts; they walk about Paris, visiting cafés and bumping into once-famous artists who are now tarnished by time and dissipation, but whom Fanny always seems to know.
Eventually, Fanny entices Gaussin to come to her house on the rue de l’Arcade. It, too, appears opulent and luxurious on the surface, but the...
(The entire section is 560 words.)