Summary (Magill's Survey of American Literature, Revised Edition)
The Salt Eaters chronicles the mental crisis of Velma Henry, a community activist, and efforts to restore her to health. Minnie Ransom is the faith healer who employs nontraditional methods to mend her disturbed client. The treatment takes place in a medical facility where skeptical interns and traditional medical professionals witness the healing as if in attendance at a theatrical performance. Velma, shaky, dirty, vulnerable, and underdressed in a hospital gown, is seated before the aged healer Minnie, who is swaddled in flowing robes and adorned in handcrafted ornaments. Face to face they appear in stark contrast: young and old, naked and clothed, insane and sane. The initial response of their audience to the scene is one of boredom as changes do not occur quickly enough for them to record on their clipboards, but the slow pace of the healing allows Velma, in a series of flashbacks, to review events leading up to her breakdown.
Renowned for its experimental form, the novel avoids a strict chronological approach to narration. Instead it allows portions of random events to appear, some coherent and indicative of Velma’s earlier cogent sensibility, and some verging on the incomprehensible, revelatory of her break with reality. It is a journey through, and a record of, the mental landscape of a woman whose life’s mission is noble (to revive a black community through positive social action) but who faces opposition so brutal and destructive...
(The entire section is 513 words.)
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Summary (Masterplots II: American Fiction Series, Revised Edition)
The Salt Eaters tells the story of Velma Henry, a bone-weary, despairing black woman whose marriage is on the skids and who has begun to falter seriously as she attempts to juggle a commitment to social activism, a career, and life as a wife and mother. In addition to being the story of Velma, the novel tells a larger story of African Americans in the late twentieth century as they come to grips with themselves, their country, and the world.
The central action of The Salt Eaters occurs in the short space of time it takes for the “fabulous healer,” Minnie Ransom of Claybourne, Georgia, to “bring through” her patient Velma, who that same day has attempted to take her own life. From three o’clock in the afternoon of an early spring day until the novel ambiguously concludes less than a half hour later, the two women sit facing each other on stools in the Southwest Infirmary, a century old black-founded hospital where modern medicine is practiced side by side with traditional healing arts handed down from slave and Indian times.
Velma has slashed her wrists and crawled headfirst into a gas stove. Now, the veteran political worker, civil rights activist, and computer consultant sits quietly in a hospital robe as the ancient crone—abetted by Old Wife, her familiar, her guiding spirit—attempts to unravel the twisted psyche of the younger woman. Both are legends in the black community, Minnie for her supernatural powers and Velma for her organizational ability and aggressive self-confidence, now reduced to depression and confusion.
Those familiar only with her better-known short stories such as “Gorilla, My Love” and “Raymond’s Run” will find Toni Cade Bambara’s first and only novel very different. In its narration and style, the novel is indebted to such earlier authors as James Joyce and William Faulkner. Like Joyce’s...
(The entire section is 774 words.)
Summary (Identities & Issues in Literature)
The Salt Eaters opens with Velma Henry sitting on a stool in the South West Community Infirmary of Claybourne, Georgia, being healed by Minnie Ransom. Claybourne is a beehive of progressive activity. The Academy of the Seven Arts, run by James “Obie” Henry, Velma’s husband, is the center of intellectual and social activities. Velma, performing the duties of seven employees, keeps the institution running. Overwhelmed by the infighting at the academy, her domestic problems with Obie, and her refusal to accept her spiritual powers, Velma has attempted suicide, and Minnie is laboring to “center” Velma, to make Velma whole.
The novel includes a spiritual plane where mortals interact with other life forms. Minnie Ransom operates on both planes. She is sitting opposite Velma while surrounded by her twelve disciples, the Master’s Mind. Sometimes she reaches out and touches Velma physically. Other times she does “not touch [Velma] flesh on flesh, but touch[es] mind on mind from across the room or from across town.” While Minnie is having these telepathic tête-à-têtes with Velma, she also confers at times with a spirit guide who helps her with the healing. When “centering” Velma becomes difficult, Minnie makes telepathic trips to the Chapel of the Mind to recharge her psychic energies.
The healing, which should take minutes, takes two hours—the time span of the novel. Velma, like Minnie, takes telepathic trips, during which she bumps into other characters, human and spiritual. These characters, filtered through Velma’s subconscious, are for the most part what people the novel.
Toni Cade Bambara skillfully combines the European American traditional mode of storytelling with African and African American concepts and traditions. The Academy of the Seven Arts is concerned with empirical knowledge, but the institution is also concerned with teaching folk art and folk traditions. The medical center accommodates physicians who practice modern medicine, but the center also makes use of the skills of Minnie Ransom. The spring celebration is a ritual celebrated by human beings, but in Claybourne the quick and the dead celebrate this rite.
Bambara’s concepts of the new age, guiding spirits, out-of-body experiences, and telepathic visions were not, at first, taken seriously. Reality is not, however, measured only by empirical evidence. Near-death experiences, guardian angels, and intergalactic travel are part of popular understanding. As the concept of reality expands, the significance of The Salt Eaters deepens.
Summary (Masterplots, Fourth Edition)
Two women are seated on stools in the middle of a circle of onlookers in the Southwest Community Infirmary in Claybourne, a town in the American South. One of the women is Velma Henry, a woman with a husband, a son, a full-time job as a computer programmer and an avocation for community organizing. She has been a strong political and artistic force in her community, but strains in her marriage as well as exhaustion caused by continuing a struggle that seems to promise no results have led her to attempt suicide. Now she sits, dirty and unkempt, wearing only a hospital gown, facing but withdrawn from Minnie Ransom, a healer who sits on the other stool.
Minnie is dressed in a bright red dress, a hot-pink head scarf, two waist bands of kenti cloth, a fringed shawl, and several wrist bangles. She warns Velma that spiritual healing can come only to those who truly want it; as she coaxes Velma, a prayer group, a medical doctor, and visiting interns and nurses look on.
As Velma fades in and out of awareness, she thinks about her activities at the Academy of Seven Arts, a community center she and her husband, James Lee “Obie” Henry had founded to preserve African American arts and culture and to teach job skills and home economics. Typically, at the center, the men have been the loudest voices in meetings devoted to politics, while the women have quietly done most of the organizing, clerical work, cooking, and cleaning. It is the late 1970’s in the United States, and the community is concerned about job equality, apartheid in South Africa, and pollution caused by the local chemical company. Feminism remains a powerful but largely unspoken idea among the activists. As the 1970’s draws to a close, the community is coming apart, pulled in too many directions at once—just as Velma is herself. It will soon be time for the annual Claybourne Mardi Gras Festival, and...
(The entire section is 770 words.)
Summary (Masterplots II: African American Literature, Revised Edition)
The Salt Eaters traces the past, present, and alternate futures of the African American inhabitants of Claybourne, Georgia, in the time of two hours. The novel focuses on two women sitting on stools in the Southwest Community Infirmary. On one stool sits Velma Henry, the former activist sparkplug of the community, who has become “uncentered” and has tried to kill herself. On the other stool sits Minnie Ransom, the spiritual center of the community, healer, herb woman, mother of all, in tune with the forces of nature and the universe.
Through Velma’s errant mind and psyche, readers enter the minds of her family and friends: her husband, Obie, and son, Lil James; her godmother, M’Dear Sophie; the Women for Action, a group presided over by Velma until her breakdown; and the Seven Sisters, a performing arts group that includes Velma’s best friend, Palma. The Seven Sisters are first seen as passengers on a bus driven by Fred Holt. They are traveling to Claybourne to perform at the black community’s annual spring festival.
As he drives, Fred Holt is thinking of his failed second marriage and of his dead friend Porter. Holt apparently follows a suicidal impulse to drive the bus through a railing into swamp water. Two women passengers, however, think the bus back on the road, and it arrives in Claybourne, where Fred goes to the infirmary to await his passengers for the return trip, medical people who have come to watch the...
(The entire section is 511 words.)