Biography (Cyclopedia of World Authors, Fourth Revised Edition)
Antonia Susan Byatt (BI-uht) began her career as a novelist in the shadow of her younger sister Margaret Drabble’s reputation as a novelist of quality and considerable popularity. Drabble, who used the family surname, began writing novels in the 1960’s, and it was assumed that Byatt, who took her first husband’s surname, would become an academic. Byatt’s first book was a study of the novelist Iris Murdoch, and she became a part-time lecturer at the University of London in the 1960’s, after studies at Cambridge, Bryn Mawr, and Oxford.
Byatt published her first novel, Shadow of a Sun, in 1964 and a second, The Game, in 1967. These were received with quiet approval but had only modest sales, and in 1972, she became a full-time lecturer at the University of London. Drabble, who continued to publish novels throughout this period, became a popular book reviewer and a minor media celebrity, while Byatt quietly pursued her academic career. In 1978 Byatt produced a substantial novel, The Virgin in the Garden, a formidable study of two intelligent, charming sisters starting out on their adult life. It was offered as the first of a quartet. The second volume, Still Life, appeared in 1985, the third, Babel Tower, was published in 1996, and the fourth, A Whistling Woman, in 2002. The latter book brought the story of the two sisters up to the 1960’s. Byatt’s fifth novel, Possession, which won the prestigious Booker Prize, has overshadowed the trilogy in both popularity and critical acclaim, although it may not be, in fact, quite as fine artistically as The Virgin in the Garden and Still Life.
Possession is an unusual example of a novel of literary merit and technical weight transcending the public’s usual lack of interest in serious novels. This is partly because the book is, at heart, a love story, but part of its appeal lies in its technical complexity and in its incorporation of formidable amounts of poetry, supposedly written by the lovers. Two time frames are used in the plot, in which late twentieth century scholars are on the trail of two famous English writers of the nineteenth century. Byatt draws on her scholastic background to create successful imitations of nineteenth...
(The entire section is 937 words.)
Want to Read More?
Subscribe now to read the rest of this article. Plus get complete access to 30,000+ study guides!
Biography (Critical Survey of Short Fiction, Second Revised Edition)
Antonia Susan Byatt was born into the Drabble family in Sheffield, England, on August 24, 1936. Her parents were educated at Cambridge University, and she and her sister, Margaret Drabble (also a fiction writer and respected literary critic), were educated at Cambridge, where they had distinguished careers. Their father was a High Court judge and their mother a teacher. Part of Byatt’s education took place in a boarding school, Mount School, a Quaker girls’ school in York. Upon graduating from Cambridge in 1957, she spent a scholarship year at Bryn Mawr College, Pennsylvania, and did further study at Oxford in 1958-1959. In 1959, she married Ian Byatt, with whom she had two children. They divorced in 1969, and she married Peter Duffy, with whom she had two more children.
Her academic career began at the University of London, and she became a full-time member of the English Department in 1972. In 1964, her first novel, The Shadow of the Sun, appeared. She began to publish criticism in 1965 with her study of Iris Murdoch, Degrees of Freedom: The Novels of Iris Murdoch. In 1978, she offered a first volume of a set of four novels, The Virgin in the Garden. She continued her academic career until 1983, and a second novel in the tetralogy, Still Life (1985), added to her growing reputation. Possession: A Romance (1990) was both a critical and a popular success, and her career has flourished internationally ever since. In 1996, she published the third volume of the tetralogy, Babel Tower, and in the 1990’s she added a considerable number of short stories to her bibliography.
Biography (Critical Survey of Long Fiction, Fourth Edition)
A. S. Byatt, born Antonia Susan Drabble, grew up in an intellectual household. Her father was a judge, and her sister, Margaret Drabble, also became a novelist—indeed much better known than Byatt until the publication of Possession. Byatt’s second novel was regarded as autobiographical, exploring the relationship with her sister in terms that reminded certain critics of the Brontë sisters, Charlotte and Emily. Byatt attended both Oxford and Cambridge universities, both of which form the fabric of her novels.
Byatt’s career proceeded slowly. She gave birth to four children and taught in London, Spain, India, and Korea. In the 1960’s and early 1970’s, there were other interruptions and disturbances as well—major life changes and events such as her divorce from Ian Byatt, her marriage to Peter Duffy, and the death of her son Charles. She did not devote herself full time to writing until the mid-1980’s, remaining in the shadow of her highly successful sister.
The publication of Possession fundamentally altered perceptions of Byatt’s reputation. This novel’s re-creation of the past, its commentary on modern literary criticism and the mores of the Victorians, and its panoply of vivid characters solidified Byatt’s role as one of the central writers on the modern period and its relationship to the immediate past. Possession won the prestigious Booker Prize, and Byatt was appointed a Commander of the Order of the British Empire.
While no subsequent novel by her has achieved both the critical and popular success of Possession, Byatt’s reputation as one of the foremost contemporary novelists has been secured. Critics acknowledge her riveting narrative power as well as her deft handling of ideas in ambitious, sprawling novels.
Biography (Magill's Survey of World Literature, Revised Edition)
Antonia Susan Drabble was the first child born to lawyer John Frederick and his homemaker wife Kathleen Marie Bloor. The couple had received a Cambridge education and remained avid readers, encouraging their children’s intellectual pursuits. A. S. Byatt (BI-uht) and her sister, Margaret Drabble, both rewarded their parents with prominent literary careers.
Like her parents, Byatt began her studies at Cambridge, where she graduated with honors in 1957. She then pursued postgraduate work at Bryn Mawr College in the United States for a year before returning to England to begin her doctoral studies in early English literature at Oxford. However, her marriage to Ian Charles Rayner Byatt in 1959 forced her to abandon the traditional path to an academic degree, since married women were not permitted to hold scholarships.
To satisfy her intellectual interests, Byatt began teaching part time while maintaining her household and giving birth to two children, Antonia and Charles. She also continued writing fiction, a habit she had begun while a university student, despite pressure from her professors to focus on criticism to the exclusion of more creative endeavors.
The two novels she started while at Cambridge and Bryn Mawr were soon to be published as Shadow of a Sun (1964; also known as The Shadow of the Sun, 1993) and The Game (1967). Between the two, she produced a collection of critical essays, Degrees of Freedom: The Novels of Iris Murdoch (1965), an...
(The entire section is 661 words.)
Biography (Magill's Survey of World Literature, Revised Edition)
Despite the occasional criticism for her weighty style, A. S. Byatt’s dense, literary imagery, rich metaphors, and erudite store of knowledge balance beautifully with her engaging story lines and compelling characters, ensuring her a place not only among the best-selling authors but also within the world of academia. Always mindful of her responsibility as an author to remain true to her characters and to construct plots and situations only within the bounds of the plausible, she does not hesitate to remind her readers of the onus placed upon them to explore to the fullest potential of their own ingenuity as they interpret her work.
Byatt’s firm convictions on topics ranging from female equality to the human craving for spirituality and creativity, when coupled with her vast imagination, find a passionate outpouring in language as visual, tactile, and otherwise sensorial as ink on a page can ever be. Notwithstanding her Victorian settings and characters, the questions she poses about faith and science, art and math, man and woman, will not be resolved for many hundreds of years to come.