The Road, winner of the 2007 Pulitzer Prize, is Cormac McCarthy’s most accessible novel, one which immediately gained a foothold in book clubs and on school reading lists across America. It also joins All the Pretty Horses and Blood Meridian as one of McCarthy’s most critically acclaimed novels, though a departure from his usual western settings and themes. In a rare interview, McCarthy told Oprah Winfrey that his four-year-old son John practically cowrote the book: “I suppose it is a love story to my son.”
Set sometime in the future after a global catastrophe, The Road chronicles a father and a son—maybe the last of the “good guys”—as they tread along a forsaken patch of highway peopled by marauders and cannibals. The novel can be read in a variety of ways.The Road is perhaps the most chilling commentary of the post-9/11 world.The post-apocalyptic setting plays upon the public’s fear of terrorism, pandemics, genocide, and weapons of mass destruction.Other readers hear the poetic passages of desolation and think of Dante’s descent into hell or T. S. Eliot’s The Waste Land. Michael Chabon, in his essay “Dark Adventure,” says the novel is both horror and epic adventure, that McCarthy deftly blends the Southern Gothic of William Faulkner and the extreme naturalism of Jack London. Still others see McCarthy continuing to wrestle with the existence of God, as the character Ely tells the father, “There is no God and we are his prophets.” The novel certainly plays upon a parent’s worst fears, but because its father-son relationship is crafted so tenderly, the overall effect is, ironically, anything but morbid.
The Road is McCarthy at the height of his powers. The father and son’s journey to “carry the fire” is not only a testament to McCarthy’s love for his son but his faith in humanity.