Next to Arthur Conan Doyle’s Sherlock Holmes and Dr. Watson, Rex Stout’s Nero Wolfe and Archie Goodwin may be the most memorable detective team in the history of the murder mystery genre. For more than forty years Stout was able to sustain his series of Nero Wolfe novels and short stories with amazing verve and consistency. Goodwin is the hard-boiled detective, ferreting out facts and collecting information from unusual sources. He brings the world to the contemplative, isolated Wolfe, who rarely leaves his home on business. He is the great mind secluded in his large, three-story brownstone on West Thirty-fifth Street in New York City. Without Goodwin, Wolfe would have to deal with the world much more directly; his mind would be cluttered with minutiae. With Goodwin as his detail man, Wolfe manages to hew his cases into a pleasing, aesthetic shape. When he solves a crime, he has simultaneously unraveled a mystery and tied up many loose ends that have bothered Goodwin and the other characters. As Wolfe suggests in several of the novels, he is an artist. He lives quietly and in virtual solitude, for that is his way of imposing his vision on the world. On those rare occasions when he is forced to leave his house, he as much as admits that sometimes the order he would like to bring to things is threatened by a chaotic and corrupt society he only momentarily manages to subdue.