“The Red Wheelbarrow” is a brief lyric written in free verse. It is composed of four stanzas, each consisting of two short lines. The entire poem contains only sixteen words, four words in each stanza. The lyric “I” does not appear, placing the reader in direct contact with the images of the poem. These are presented one by one in short lines, which slow the reading and focus the reader’s attention on each bit of information in a sequence that suspends completion of the scene until the very last word. The surprise implicit in this arrangement is particularly present in the poem as it was first published, without a title, as poem number “XXII” in Spring and All. In that book William Carlos Williams alternates passages of prose expressing his theories of poetry with groups of poems illustrating those theories.
The poet begins with an impersonal statement, composed of abstract words: “so much depends/ upon.” This stanza creates suspense by raising the question, What depends on what? This is partly answered in the second stanza: “a red wheel/ barrow.” In contrast with the words of the first stanza, each word here, except for the article “a,” evokes a sense of impression. By dividing the word “wheelbarrow” into its parts, “wheel” and “barrow,” and by breaking the line after “barrow,” the poet slows the reading, which helps to imprint the image on the reader’s mind. It also makes a wheelbarrow less familiar...
(The entire section is 433 words.)