A Rat’s Mass was first produced and directed in Boston by David Wheeler, an avant-garde director for the Theater Company of Boston. In September, 1969, following a successful run in Italy, A Rat’s Mass was produced by Ellen Stewart for New York audiences at the La Mama Experimental Theatre Club, with Seth Allen directing.
The universe of A Rat’s Mass is Brother Rat’s and Sister Rat’s. It is a bizarre maelstrom of terror, oppression, sacrilege, and rage in a malignant conflict to the death. In this universe, Brother Rat has a human body but the head of a rat, and Sister Rat has a human head but a rat’s belly. A procession of Two Wise Men, a Shepherd, Joseph, Mary, and Jesus alternately watch and march as Brother Rat (whose name is Blake) and Sister Rat (whose name is Kay) recall their childhood days of innocence, before their holy home was invaded by screaming worms and gnawing rats in the attic.
Rosemary, an Italian Catholic wearing a Communion dress and carrying a catechism book, is a Medusa-like character with worms rather than snakes in her hair. Unlike Blake and Kay, she has a world in which she belongs, a religious heritage, a historic ancestry. Blake and Kay love her as their best friend. They revere her beauty, her holiness, her sense of belonging. At her urging, Brother Rat commits incest with Sister Rat on a playground slide, while Rosemary watches, to prove his love for Rosemary. Then they swear...
(The entire section is 428 words.)