In Rabbit Redux, Rabbit believes that the whole United States is doing what he did ten years earlier. Rabbit appears to have made his peace with the world and has settled down to fulfill his various obligations. He works as a typesetter in the same shop where his father has worked for more than thirty years. (He works at a trade, however, that is soon to be replaced by a new technology.) In this novel, Rabbit is more a passive listener and observer than a searcher. The racial and cultural turmoil that he sees on television literally comes into his home, and Rabbit is forced to be a student of his times. Updike uses this rather feckless working-class man in small-city Pennsylvania as a foil to the upheavals sweeping the United States during the late 1960’s.
The landing of Americans on the moon, which Rabbit, like millions of others, watches on television, is a fitting analogue or metaphor for the cultural shifts of the decade. The astronauts, pioneers of the new technology and exemplars of the centrifugal movement of the West, land on a barren satellite. The implication is that America’s spiritual landscape is as barren as that of the moon. Americans have gone about as far as they can, and they must now return home and make the best of things here. The gravity of Earth cannot be escaped for long.
In Rabbit, Run, Rabbit left Janice for a mistress. In Rabbit Redux, Janice leaves Rabbit to live with her lover, Stavros. Rabbit acquiesces to this affair and stays home to care for his son, Nelson. Through a strange set of circumstances—not wholly probable—Rabbit takes in Jill, a runaway flower child, and Skeeter, a bail-jumping Vietnam War veteran and black radical.
Rabbit’s living room becomes...
(The entire section is 720 words.)