Themes and Meanings (Masterplots II: Poetry, Revised Edition)
“The Pulley” is both a myth of origins and a moral and spiritual fable; these two genres overlap because, for Herbert, one’s devotional responsibilities are perfectly consistent with and flow inevitably from who one is. Despite the brevity and simplicity of the poem, several key facts are affirmed. For example, this version of the Creation myth emphasizes the dignity of humankind, bestowed by a God who is thoughtful, generous, and kind. The story of Creation in the Book of Genesis is astonishing: A spiritual breath raises dusty clay to life in the form of Adam. In Herbert’s poem, the Creation seems even more splendid, as humankind is described as the sum and epitome of all the world’s riches, and God is a being who communicates easily and cordially with His creation.
Simultaneous with this emphasis on the dignity of humankind, however, is a carefully drawn distinction: Strength, beauty, wisdom, honor, and pleasure are necessary and vital components of humankind, but they are not sufficient to guarantee spiritual health. For this humans need rest, the one quality held back by God. Human independence, then, is qualified, but not undermined completely. “The Pulley” does not suggest that humankind is disastrously flawed and impotent, or that life in the world of Nature is insignificant and useless: Life can, after all, be “rich.” It does show the limits of human powers and the liabilities of earthly existence: The inevitable human fate is...
(The entire section is 451 words.)
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