“Psalm” is a short poem in free verse. Its twenty lines are divided into four stanzas, each representing a separate unit in the poem’s movement. The title indicates the theme and sets the reader’s expectations: This poem is a prayer, an evening song, a praise. God, whom traditional evening songs praise, is, however, repeatedly identified with “no one” and, eventually, the poem turns out to be a song in praise of the human spirit. The context of Paul Celan’s poetry and the imagery of “Psalm” also suggest that, more specifically, this poem is about Jewish people who were murdered by the Nazis during World War II. This specificity nevertheless bears universal validity and human significance.
The poem is written in the first-person plural, and, thus, the persona is actually a congregation of people. As the first line indicates, however, this congregation is dead. In obvious reference to the story of creation in the Bible, the persona declares: “No one molds us again from dust and clay, no one conjures up our dust.” The word “again” betrays that a chance to live, once given, has been irretrievably lost, and the people represented by the persona have lost all hope of coming to life again.
The three lines of the first stanza, in each of which the words “no one” are repeated, end on a note of desperation. The praise of the name of “no one” in the first line of the second stanza is therefore full of shocking irony. The...
(The entire section is 541 words.)