Twin Oaks Tavern
Twin Oaks Tavern. Described by Cain as a “roadside sandwich joint, like a million others in California.” The diner also includes living quarters for the husband and wife, a filling station set off to one side, and a grouping of a half dozen shacks referred to as an auto court. The lodgings, in particular, add to the sense of confinement experienced by the two lovers, as they attempt to free themselves from their suffocating lives through a brief and impulsive affair. As portrayed by Cain, this is drifter country, a land of passersby, passing fancies, and passing relationships. It is a place where people are always headed elsewhere. For Frank, it is a place from which to escape. For Cora, it becomes a test of Frank’s commitment to her. By agreeing to stay, he would be signaling that he was no longer a vagabond and, more important, that he was no longer trying to make her into one.
Culinary and carnal appetites are closely intertwined in Cain’s two main characters, beginning with their first sexual encounter in the diner’s kitchen. It is a scene brimming with irony, in that it is the place where Cora’s husband has sharply rebuked her for not adequately gauging the size of Frank’s appetite. In fact, Frank’s desire for the man’s wife serves to diminish thoughts of food to the extent that it sickens his stomach.
Roads. The many roads that cover Cain’s grim Southern California landscape. The first vision the...
(The entire section is 616 words.)