Biography (Critical Survey of Poetry: British, Irish, & Commonwealth Poets)
The Englishness of Philip Arthur Larkin’s poetry is decidedly provincial; his England does not revolve around London, and in fact, there is a marked suspicion of the capital and the cosmopolitan urbanity it represents. From his diction to the frequency with which his speakers are seated in cars or trains traveling through the countryside, his poems reflect the provincialism of his life. Larkin was born August 9, 1922, in Coventry, where his father served as city treasurer throughout his childhood. He described his childhood as a bore and not worth mentioning, suggesting that no biography of him need begin before he turned twenty-one. Although he was not a particularly good student at the King Henry VII School in Coventry, he matriculated at St. John’s College, Oxford, in 1940, hoping to get in a year of school before he was called into the military. As it eventually turned out, he failed his army physical and stayed in college, graduating with first-class honors in 1943. His time at Oxford had a profound effect on the youthful Larkin; in the introduction to Jill, he suggests that the war radically diminished the students’ grand view of themselves, and this sense of reduced importance stuck with him in his poetry. Perhaps even more crucial to his development, though, were his friendships with budding writers Bruce Montgomery (Edmund Crispin) and Kingsley Amis. The Amis-Larkin friendship seems to have influenced both men, and their early writings share many attitudes and themes.
While at the university, Larkin published poems in the undergraduate magazines and in the anthology Poetry in Wartime (1942). (He had had one poem published in the Listener in 1940.) Fortune Press took notice and asked him to submit a collection; he did, and The North Ship was published in 1945. The poetry in that collection is heavily influenced by Yeats’s work, to which he was introduced by the poet Vernon Watkins, who read and lectured at the...
(The entire section is 803 words.)
Want to Read More?
Subscribe now to read the rest of this article. Plus get complete access to 30,000+ study guides!
Biography (Magill's Survey of World Literature, Revised Edition)
Philip Arthur Larkin was born in Coventry, England, on August 9, 1922, the son of Sydney and Eva Emily Day Larkin. His bookish father was city treasurer. Larkin tended to dismiss his Coventry childhood as uneventful but recalled that during the 1930’s he “wrote ceaselessly,” both prose and verse, while attending King Henry VIII School. As a youth, he kept booklets of his writings—a practice he followed throughout his life, later using typescripts—and published poems in his school magazine, The Coventrian. At St. John’s College, Oxford, he earned the B.A. with distinction in English literature (1943) and then the M.A. (1947). He failed his physical for military service in World War II. Close friends at Oxford encouraged his literary efforts, and in his mid-twenties he published the novels Jill (1946, 1964) and A Girl in Winter (1947). Though Larkin at first wanted to be a novelist and much later said he found novels “richer, broader, deeper, more enjoyable than poems,” poetry proved to be his real vocation. Influenced by the English poet W. H. Auden and, after 1943, by the Irish poet William Butler Yeats, Larkin published verses at Oxford and brought out The North Ship (1945, 1966), poems that revealed a solitary persona and gained little notice. Larkin later “disowned” the book but allowed its reissue.
Larkin’s poems from the late 1940’s were the first in his new, representative voice—“less poetic,” he said, and “freer of the late Mr. W. B. Yeats also.” From 1949 onward, his notebook texts show careful, laborious revision, sometimes extending over months or years. Alternating scarce and fruitful periods were the norm throughout the poet’s life.
In 1951, Larkin, by then a gainfully employed librarian, had one hundred copies of a...
(The entire section is 746 words.)
Biography (Magill's Survey of World Literature, Revised Edition)
Though an Oxford graduate and university librarian, Philip Larkin is not “academic.” Acclaimed by scholars and general readers alike, Larkin is a principal English poet of the post-World War II era. Formally conservative, his poems nonetheless adapt colloquial talk and explore contemporary life. His persona’s voice is sad, ironic, balanced, wise, witty, stoic, and capable of surprise. Missing access to the fulfillments of love or faith that others may have, the poet/voyeur looks out wistfully onto the world—but not far into the heavens. Critical discussion of Larkin after 1955 as a part of The Movement in English literature acknowledges his pragmatic rejection of the excesses of both Romanticism and modern experimentation.
Biography (Cyclopedia of World Authors, Fourth Revised Edition)
Philip Arthur Larkin has been called the best poet laureate England never had, for after John Betjeman’s death in 1984, a 30 percent plurality of 120 poets surveyed by The Times of London favored Larkin’s appointment to the post. Having not issued a book of poetry in the previous ten years and having written barely one hundred pages of mature verse in his lifetime, Larkin expressed his terror at the prospect of having to write ceremonial verse. Consequently Ted Hughes was appointed.
Larkin was the son of Sydney and Eva Emily (Day) Larkin. His father was city treasurer of Coventry. Larkin claimed that his childhood was so boring that a biography of him would have to begin when he was twenty-one or even thirty-one, for he spent much of his youth reading, often a book a day, to the neglect of schoolwork, and playing board games. He later attended the University of Oxford, where he met Kingsley Amis in the spring of 1941, beginning a close friendship that spanned the rest of his life.
Larkin’s first book of poems, The North Ship, written when he was a student, displays Symbolist-inspired verse and the clear influence of William Butler Yeats. Despite its early schoolboy romanticism, the volume establishes a central theme of everyday reality as a foothold for the spirit. Larkin’s Oxford experiences are also the basis for his novel Jill, in which a young student creates a fantasy girl whom he describes to his friends, only to meet her real-life counterpart with sad results. The novel explores a modern dilemma as Larkin sees it: the frustration of romantic fantasies versus the disappointment of self-knowledge. Jill was followed by A Girl in Winter, an extended prose poem in which his librarian heroine, Katherine Lind, also weighs the sad alternatives—the deception of romance and the dissatisfaction of life without it. The wartime settings of both books contribute to their themes of psychological isolation. Larkin also began a third novel, which he never completed.
Upon taking his degree and failing his military induction...
(The entire section is 901 words.)