Summary and Analysis
“Peace,” by the English poet Rupert Brooke (1887-1915), is one of the most famous (or, in the eyes of some, even infamous) poems to emerge from World War I. Sigfried Sassoon and Wilfred Owen, two of the other best-known soldier-poets of this era, eventually wrote works extremely critical of the conflict, but Brooke’s poems, including “Peace,” reflect the early idealism and (some would say) naiveté that characterized the first stages of the war. Brooke, a member of the Royal Navy, died (from an infection) too early to witness the full horrors of trench combat; we can only wonder what he might have written if he had lived at least a few more years. In any case, “Peace” should be taken on its own terms rather than being read with retrospective irony. Poems such as “Peace” reflect the attitudes felt by many young men during the first year or so of the hostilities.
“Peace” is a sonnet, a kind of poem often associated with expressions of love and therefore somewhat appropriate to a work that begins by showing love of God and one’s military comrades. Interestingly, the poem mocks “all the little emptiness” of merely romantic “love” (8), implying that there are higher, nobler kinds of affection than simple flirtations and ephemeral wooings.
The poem begins almost as a public prayer might begin: “Now, God be thanked” (1). By using iambic rhythm in this phrase (a kind of rhythm in which even syllables are accented but odd syllables are not), the speaker places heavy stress on the two key words (“God” and “thanked”). Much of the poem, in fact, uses iambic meter, which is often thought to be closest to the rhythms of actual speech in English. Likewise, the poem is also made accessible by its relatively simple diction (or choice of words). None of the words in this work would confuse most readers. Both in rhythm and in diction, then, the sonnet seems designed to be as easy as possible to follow and understand. Only in its syntax (or sentence structure) is the octave of the sonnet (its first eight lines) somewhat complex. The octave consists of one long, unfolding sentence comprising 71 words. By managing to keep such a long sentence under relatively clear control, Brooke demonstrates part of his skill as a poet.
As the opening line of the sonnet makes clear, the speaker presents himself as...
(The entire section is 1288 words.)
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