Themes and Meanings (Masterplots II: Poetry, Revised Edition)
“A Part of Speech” re-creates the condition of a fragmented consciousness, of loss and alienation, by exploring the mind grappling with apparently irreconcilable aspects of time and space. The lightning shifts between past and present, memory and projection, here and nowhere, compress a universe of possibility into the sequence. At the same time, the strong undercurrents of the forms and meters suggest the healing potential of the poetic vision and the myriad resources of language. What he hopes to reflect is his sense of “the graspable degree of arbitrariness” in the relation of language and experience. Two main elements that Brodsky brings together are the psychological condition of exile, reflected in feelings of loss, anger, displacement, and isolation, and the exile’s relation to language and expression, how language itself forms and informs the nature of his condition.
One of the central concerns of the sequence is its ability to convey the sense of a mind searching for a firm vantage from which to view experience. As he remarks in the opening essay of Less Than One: Selected Essays (1986), relating the act of memory and writing: “Memorydirects our movements, including migration.[T]here is something clearly atavistic in the very process of recollection, if only because such a process never is linear.[I]t coils, recoils, digresses to all sidesso should one’s narrative.” In keeping with this, the movement of “A Part of...
(The entire section is 520 words.)
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