Paradise Regained is composed of four books averaging about five hundred lines of blank verse each; the poem, therefore, contains more than two thousand lines. The Gospel of Luke, John Milton’s principal source, is contained in seventeen verses spread over two chapters. Although Milton regarded this “brief epic” as his greatest masterpiece, that evaluation has not generally been shared by his critical or popular readership. Unlike his internationally acclaimed epic Paradise Lost (1667, 1674), Paradise Regained lacks both an intense conflict between worthy moral antagonists and the narrative action such conflicts afford. To many, the novel’s Satan seems to have been pathetically reduced to an incompetent schemer who is no match for the stoical Jesus of Nazareth, who dominates the extended debates occupying most of the epic. Yet if Milton was not wholly wrong about his final work, in what does its greatness consist?
Although lacking some of the complexity of its forerunner, Paradise Regained can be breathtaking in its stark poetic simplicity and in its profound narrative expansion of Luke’s brief account of Jesus’ three temptations in the wilderness. To appreciate its narrative “action” is thus to understand how Milton uses a dialogical form of conflict drawn from the book of Job to illuminate and expand these three themes. Yet it is also to understand how Job-like this Jesus is, who is not merely an...
(The entire section is 982 words.)
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