Summary (Masterplots II: African American Literature, Revised Edition)
Cross Damon’s wintry search for meaningfulness and happiness falls into five stages, omnisciently narrated in books of the novel entitled “Dread,” “Dream,” “Descent,” “Despair,” and “Decision.” By the time Cross reaches the fifth stage, no decision can stem the worsening of his life that is suggested by the first four titles.
When the story opens, Cross dreads everything about his intolerable life, which quickly comes to a crisis under pressure from his fifteen-year-old pregnant girlfriend, his abused wife, and his moralistic mother. Then the completely unexpected happens: He survives a subway accident and learns that a mangled victim has been identified as him. Cross takes this opportunity to create himself anew. Again, however, the unexpected happens; he is seen by a friend, and rather than return to a life made even worse, Cross kills him.
Cross’s life is now dreamlike, because he carries in his mind a twenty-six-year identity that he is consciously denying. He is only early in the process of inventing what he believes will be a new personality, and therefore he is at the mercy of external circumstances. An accident in the dining car of a train causes him to meet two people who will haunt him like images in a dream that turns into a nightmare. Bob Hunter entangles him in the Communist Party, and Ely Houston is insightful enough to recognize him as a fellow outsider inclined to “ethical lawlessness.” The style of...
(The entire section is 794 words.)
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Summary (Masterplots II: American Fiction Series, Revised Edition)
The Outsider is divided into five books, each of which focuses on a phase in the psychological development of its protagonist. “Dread,” the first section, introduces Cross Damon, a well-read black postal worker, who is caught in a web of circumstances that exacerbates his sense of existential nausea: Dot, his fifteen-year-old lover, is pregnant and threatening to charge him with statutory rape; Gladys, his estranged wife, is squeezing him for money; his pious mother burdens him with guilt; and his tedious job stifles him. A fortuitous public transit accident in which he is believed to have been killed gives him the opportunity to escape his situation and “shape for himself the kind of life he felt he wanted.” Yet, before he leaves Chicago, he impulsively murders a coworker who discovers his secret.
In “Dream,” the second section, Damon struggles to create a new identity. Initially, he finds himself “alone at the center of the world of the laws of his own feelings,” and in this dreamlike state he boards a train for New York City. On board he has a lengthy discussion with District Attorney Ely Houston, who is fascinated by Damon’s belief that “man is nothing in particular” or “just anything at all.” Damon concludes that “what man is is perhaps too much to be borne by man.” In New York City, Damon adopts the identity of a dead man, Lionel Lane, and meets Gil Blount, a white Communist Party official who invites Damon to...
(The entire section is 709 words.)