Oroonoko: Or, The Royal Slave, a True History, Behn’s most significant novel, resembles The Fair Jilt in that she attempts to achieve verisimilitude by first-person commentary and an abundance of concrete detail. She asserts at the outset that the story is factual and claims to have known the characters and witnessed much of the action. She injects numerous details to enhance the realism, foreshadowing the narrative technique of Daniel Defoe and Jonathan Swift. She describes, for example, South American creatures such as the armadillo and the anaconda, and her account of the indigenous tribes idealizes their primitive and simple lives in the wilderness.
The narrative has two distinct parts. The first, set in the African country Coramantien, introduces the young prince Oroonoko, grandson of the country’s aged king. Oroonoko is a Restoration love-and-honor hero, capable of intense passions. In love, Oroonoko knows no half measures, for Behn embraces the assumption of heroic love that great love implies a great soul. A man of natural nobility, he is not a primitive, but a well-educated, charismatic youth who can read Latin and French and speak English. He achieves rapport with all types of people, including the natives of the New World.
Trouble in his native land begins when he falls in love with Imoinda, the beautiful daughter of a general who has sacrificed his own life in battle to save Oroonoko’s. After Oroonoko has secretly married Imoinda, his aged grandfather, king of Coramantien, decides to make her his wife and summons her to the palace. Deprived of his wife for months, Oroonoko conspires with friends at court to arrange a clandestine meeting. When the king discovers this, he decides to sell Imoinda into slavery because of the betrayal and tells Oroonoko that she has...
(The entire section is 743 words.)