Oppen’s determination to avoid what he considered a sort of easy emotionalism or cheap sentimentality restricted his production of poems that reached for a mood of intense feeling. Yet the absence of conventional protestations of desire and the austerity that is a signature of his style made his lyric moments glow with a special quality that he called “emotional clarity.” He hoped to capture the moment “when the world stops, but lights up,” as he put it.
The importance of love for his wife, Mary, is evident in his frequent comments in his letters. When she was the energizing figure for a poem, he wrote, “You will see that I have not exaggerated Mary’s beauty, total beauty, confidence, strength of beauty.” These attributes presented a challenge for Oppen, who did not want to resort to familiar styles of praise but who was aware of the power of the literature of romance. “O Western Wind” is an attempt to evoke the impact of the myriad moments when he looked at his wife and felt, afresh but with the memory of similar instances, the mystery and pleasures of her being.
The poem begins with an image that is construed in metaphysical terms. “A world around her like a shadow” is Oppen’s first statement, suggesting both the tangible and the evanescent. The woman is presented in motion (“She moves a chair”), and her action implies a purposeful or useful endeavor (“Something is being made—/ Prepared/ Clear in front of...
(The entire section is 412 words.)