In Woolf’s 1924 short story ‘‘The New Dress,’’ Mabel Waring arrives at Clarissa Dalloway’s party and is instantly consumed by feelings of inadequacy and inferiority. These negative feelings are set off by concerns that her new dress in not appropriate for the occasion. Immediately after greeting her hostess, she goes straight to a mirror at the far of the room to look at herself and is filled with misery at the conviction that ‘‘It was not right.’’ She imagines the other guests exclaiming to themselves over ‘‘what a fright she looks! What a hideous new dress!’’ She begins to berate herself for trying to appear ‘‘original’’: since a dress in the latest fashion was out of her financial reach, she had a yellow silk dress made from an outdated pattern. Her selfcondemnation verges on self-torture, as she torments herself with obsessive thoughts of her foolishness ‘‘which deserved to be chastised.’’ She thinks of the new dress as a ‘‘horror . . . idiotically old-fashioned.’’ When the stylishly dressed Rose Shaw tells her the dress is ‘‘perfectly charming,’’ Mabel is sure she is being mocked.
She tries to think of some way ‘‘to annul this pain, to make this agony endurable.’’ The extremes of language and the obvious torment Mabel is experiencing may be intended to give the reader some indication that perhaps she is not entirely mentally or emotionally stable. It may also, however, be intended to...
(The entire section is 505 words.)
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