Paul Horgan’s “National Honeymoon” is divided into two sections; the first section shows the temptation, fall, and humiliation of the protagonists Gustavus Adolphus (Gus) Earickson and his new bride, Roberta May, and the second part reveals their redemption. The newlywed couple’s innocence is pitted against the cheap vulgarity of Hollywood and the persuasive insincerity of its pitchmen.
Roberta May succumbs to the lure of radio-show riches and secretly arranges for the newlywed couple to appear on a regular radio program, National Honeymoon. She keeps her plans secret until the last moment, because she suspects that her husband would not submit to a public invasion of their private life. In her naïveté, she believes that they have nothing to lose and everything to gain.
Married for only several hours, Gus and Roberta May find themselves whisked away from their home in New Mexico to Hollywood, where they must confront the carefully orchestrated spontaneity of the show’s professional host, everyone’s “favorite father-in-law, Gail Burke Himself.” Gus and Roberta May soon find that they have temporarily turned their lives over to the glib machinations of Burke, whose purpose is to pry and probe into their private lives, to titillate the audience, and generally to put them on display. Under the guise of jovial beneficence, Burke bullies and belittles the couple to reveal the details of their courtship, the intimacies of their quarrels, and the sincerity of their love for each other.
At first, he targets Gus, complimenting him on his good looks and making fun of his name. The disconcerted Gus reluctantly replies to Burke’s sallies, but when Burke moves...
(The entire section is 699 words.)