*Canterbury Cathedral. Church in southeast England that was the seat of the archbishop of Canterbury and the center of Roman Catholic power in England during the period in which T. S. Eliot’s play is set. In the play, the cathedral quickly becomes a place of temptation. Each of four tempters offers Becket a course of action supposedly intended to save his life. In his resistance the cathedral is shown to be a place of anxiety and confrontation. However, in the process it also becomes a place of strength. Becket’s rejection of the tempters’ invitations underscores an important Eliot theme: Religion’s place in the world is not to secure for its adherents automatic safety, but faith gives direction for decisive action.
In the second part of the play the theme of the cathedral as a place of violence is intensified. Becket’s priests try to protect him from the murderous knights. His instructions to them to open the doors and not make the cathedral into a fortress constitutes a key Eliot theme about the role of place. Even after violence enters the house of prayer, Becket will not allow the barring of the doors. The unbarred doors allow the knights to enter and kill him, but his martyrdom shows that the cathedral is not simply a place of sanctuary, but also a place where one may suffer for the good of all.
After the assassination, each of the four knights attempts to justify the murder of Thomas Becket. Their rationalizations make the cathedral a place where, finally, the audience must bear the burden of the world’s false attempts at justification of its power against faith in God.